Here’s the link to an extremely powerful NFL Films look at Paul Zimmerman, a.k.a. Dr. Z. This merits 8:58 of your time.
Chad Finn of the Boston Globe writes about the making of the film.
Like that of (Will) McDonough, who died in January 2003, his inimitable voice is missed. Yet Zimmerman’s life is not in past tense. He is still alive and of sharp mind at 81 years old, as a beautiful little essay of a film — titled “NFL Films Presents: Yours Truly, Dr. Z” and running slightly less than nine minutes — on NFL.com reminds us.
But he is trapped in a cruelly ironic prison: Since suffering the first of a series of strokes in November 2008, the prolific writer and voracious reader has not been able to read or speak.
Ken Rodgers, the supervising producer for NFL Films, was working on a documentary for ESPN’s “30 for 30” series — a look back on the 1983 NFL draft, titled “Elway to Marino” — when the idea began to germinate about finding a way to help Dr. Z tell his story. To give him his voice back, in whatever way he could.
“The one guy I wish I could have interviewed for [“Elway to Marino”] was Paul Zimmerman,’’ said Rodgers. “Paul was one of the three ESPN talents on set at the draft room in 1983, and he was by far the most vocal in his opinion, as you can imagine.
“He was funny, he was eloquent, he was right, he was wrong [he’s famous for panning Miami’s pick of Dan Marino], he was flabbergasted, it was really everything you’d want in front of a television camera.
“That we couldn’t follow up with him and couldn’t look back with him on that draft 30 years later because of his current situation struck me as sad. We missed his voice, and it made me start thinking of a way to give him that opportunity in some sense to get it back.”
Finn writes:
The limitations of Zimmerman’s ability to verbally communicate are made apparent quickly. He says “yeah” and “no,’’ but when speaking at length, it comes out as a string of the word “when.”
Yet the film is told in the first person, with actor Tom Wopat speaking on Zimmerman’s behalf, even appearing on camera with him in a couple of humorous scenes. Wopat, an accomplished singer and stage actor who unfortunately is best known for his early ’80s role on “The Dukes of Hazard,” isn’t so much a narrator as he a conduit for Zimmerman’s words.
Which leaves the most obvious question unanswered: How did Rodgers, and eventually Wopat, know what Zimmerman wanted to say?
“It was trial and error, a time-intensive process,’’ said Rodgers. “I would say, ‘So is it true you boxed Hemingway?’ And he would answer with his, ‘Oh, when-when-when-when,’ and shake his head. In this case, he pointed to his crotch. ‘Oh, when-when when-when-when.’ And I’d say, ‘Hemingway hit you below the belt once in a while?’ and he’d say, ‘when-when-when-when’ and shake no and point to his crotch. And I’d say, ‘He hit you below the belt more?’ And he lit up: ‘Yeah, yeah.’