Who is MLB talking to? Selig says fans aren’t complaining about slow games in surveys

Saw this item in an interview with Bud Selig that Adam Rubin filed at ESPNNewYork.com:

Although the commissioner keeps close tabs on the length of games, he does not think it is a problem.

“They’re not getting longer,” Selig said. “We’re the same as last year. We’re right at three hours. Actually, this year, we’ve had an interesting group of 2:30, 2:40, 2:45, which proves to me it can be done.

“People talk about the length of the game, and all sporting events, by the way, take much longer. But the fans are turning out in record numbers. When we do a lot of polling, we don’t get that from a lot of our fans. However, having said all that, you bet I’m concerned. I monitor it on a weekly basis.”

OK, who is MLB surveying? It can’t be avid fans. Everyone I talk to complains about the slow-play issue.

Yes, fans are coming to the games in record numbers. I contend that has more do with the ballpark experience. There is an amusement park element of attending a game. Not that there is anything wrong with that.

However, Selig neglects to point out where slow play has its biggest impact: watching games on TV. Ratings, especially for the post-season, are at historic lows.

As I have written many times, much of the decline has to be about what were once 2:30-2:40 games stretching to 3:30-3:40 or more. The long, tedious games become brutal to watch. Viewers, especially the younger demo, are tuning out.

If MLB needs more input for its surveys, I’ll be glad to provide some names.

 

New Jordan biography: Most comprehensive yet; Tells good and bad of ‘complex’ man

My latest Chicago Tribune column features an interview with the author of a new biography on Michael Jordan. Comprehensive is an understatement.

You also can access the column via my Twitter feed at @Sherman_Report.

From the column:

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At nearly 700 pages, you might wish Michael Jordan’s career lasted as long as the new biography on him.

“I actually cut 300 pages,” said author Roland Lazenby. “It was a challenge trying to figure out what to take out.”

The pared-down version, “Michael Jordan: The Life,” is set for its official release Tuesday. Books on No. 23 always make for good business, with previous efforts by Sam Smith, David Halberstam, Bob Greene, and even Jordan himself, rising to the top of the bestseller lists.

Yet Lazenby’s book could be viewed as the first truly comprehensive biography on Jordan—at least the most definitive since he retired from basketball for the last time in 2003. Lazenby begins his story by tracing his family’s roots as sharecroppers and moonshiners in North Carolina and goes through his days as a multi-million owner of the Charlotte Bobcats.

“Michael has had a huge, huge life,” Lazenby said. “It’s a business story, a basketball story, a baseball story, a cultural story, a family story, and I could go on.”

Lazenby’s vast research didn’t produce any new stunning revelations about Jordan. It hardly will come as a surprise that he lost $5 million one night gambling in Las Vegas. A bit more surprising is that Lazenby’s source for that information is Adam “Pac Man” Jones.

This book, though, is more about trying to explain what led to him becoming his generation’s Babe Ruth as a sports icon. Lazenby presents a rapid-fire delivery of anecdotes along with insights from those with inside connections that help paint the overall portrait of a highly complex man. The key word for Lazenby is “context.”

“Context helps us understand what we’ve been getting from Michael all these years,” said Lazenby, who previously wrote “Blood on the Horns” about the end of the Bulls dynasty.
“There were many subtle, but sledge-hammer type things that show the urgency that Michael bought to everything.”

Controversy sells: Clippers victory pulls in highest cable rating during playoffs

Yesterday, I wrote the Los Angeles Clippers are going to be ratings gold for ESPN/ABC and TNT during the playoffs in the wake of Adam Silver’s bold decision. The country will rally around the team, and the story is so big, Clippers games now will attract non-traditional NBA viewers.

Sure enough, the rating for Game 5 of the Clippers-Golden State series was huge. According to Turner Sports, the Clippers’ victory did a 3.7 overnight rating, the highest on cable during the playoffs. The rating was up 37 percent from the comparable game on that night in 2013.

Keep in mind, the game started at nearly 11 p.m. on the East coast. An earlier start would have meant a much higher rating.

I would expect another strong rating on Thursday for Game 6 and an even bigger one if there is a Game 7 on Saturday night.

Also benefiting from this mess is TNT’s Inside The NBA. According to John Ourand of Sports Business Daily, the studio show did a 1.7 rating after the game from 1:30-2:30 a.m.

 

 

Demise of ‘Crowd Goes Wild’ shows why so hard to develop good sports programming

Really no surprise that Fox Sports 1 is cancelling Crowd Goes Wild. The last show is next week.

The crowd didn’t go wild over the show. Using 82-year old Regis Philbin as a centerpiece was a weird move, and the whole thing seemed doomed from the beginning.

Crowd actually had some decent pieces. Definitely expect to see more of Georgie Thompson elsewhere on Fox Sports 1, and I liked Jason Gay and Trevor Pryce.

However, Crowd was too much of a hodge-poge of segments that didn’t work and too many people on the set.

The demise of Crowd once again shows that producing interesting and compelling sports programming is a difficult endeavor. It isn’t just Crowd. NBCSN couldn’t get it done for two Michelle Beadle vehicles.

ESPN also has had some flops along the way. But they do have hits with Pardon the Interruption, Around the Horn and First Take.

The network found the right formula for those shows. Generally, less seems to be better with a limited number of panelists and a narrow focus for the discussions. Also, in the case of PTI and Horn, the 30-minute format removes the need for excess clutter.

It shouldn’t be a surprise that Fox Sports 1 already is altering its lineup. That’s the way it works in sports TV.

The new network needs to figure out what works. It already knows what doesn’t.

 

 

 

 

 

NFL on NBC: The winner and still champ; Great games and can start to flex in week 5

Today, I will be breaking down who got what gifts (and potential clunkers) from the NFL.

NBC

The winner always is NBC. The traditionally strong Sunday night package will be even stronger this year. The network now will have the option of beginning to flex in week 5, giving Al Michaels and Cris Collinsworth an even better chance to call bigger games.

Best games: On paper, they all are pretty good, and some are excellent, starting with Green Bay at Seattle to kick off the season on Thursday night, Sept. 4.

Then NBC quickly jumps on the Peyton Manning train, with his former Indianapolis Colts team visiting Denver for the opening Sunday night game.

The following week, NBC will open San Francisco’s new Levi Stadium with Chicago at 49ers. Local knowledge: Beware of a blowout, because the Bears never play well in San Fran.

NBC definitely won’t be flexing in week 7 with San Francisco at Denver. And it has a huge Thanksgiving night game with San Francisco at Seattle.

And for good measure, NBC has the Bears-Packers game in Lambeau in week 10. The traditional rivalry game always does well in prime time.

And there’s much more. Here is link to their schedule.

Potential clunkers: Actually, this category should be renamed, potential flex candidates. The most likely to be flexed appears to be Seattle at Arizona in week 16. You never know what you’re going to get with the Cardinals.

Maybe Dallas at Giants in week 12 if both teams are in the dumps, which is possible. However, even both teams are winless, NBC still might show the game because the networks loves the Cowboys and all things New York.

With flex scheduling, though, NBC never will get a clunker on Sunday night.

Next: CBS

 

 

No Magic interview, no problem: Pearlman’s ‘Showtime’ shows access isn’t essential to telling complete story

My latest column for the National Sports Journalism Center is on Jeff Pearlman and his approach to writing his new book on the ’80s Lakers, Showtime.

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Today’s journalism lesson comes from Jeff Pearlman.

Subject: How to write a 482-page book without ever getting access to the three main characters in the story.

Pearlman’s latest, “Showtime,” is a detailed and entertaining account of the great Lakers teams during the ‘80s. He chronicles the wild ride as Magic Johnson, Kareem Abdul-Jabbar and the crew piled up victories on the court and in the bedroom. The Lakers were at the center of ‘80s flash and excess.

Pearlman conducted nearly 300 interviews for the book, but he never was able to land a one-on-one with Johnson and coach Pat Riley. He also didn’t have a sit-down with

Abdul-Jabbar, although he was able to ask some questions of him through a third party.

Writing a book without gaining access to the main sources happens all the time. However, Pearlman’s process in getting around that obstacle is illuminating. If anything, he says, it almost played to his advantage that the stars and coach didn’t talk.

Here is my Q/A with Pearlman:

What is your approach?

Pearlman: I’ve probably read 700 sports books beginning when I was a kid. I just think what separates the good ones from the great ones ‑‑ I’m not saying I’m great– but as a reader what separates the good ones from the great one, is the details. You flip through some books where it’s just obvious after obvious after obvious. The first thing I do when I read books now is I go to the acknowledgment section. Whenever I see an author’s list of people he talked to and it’s less than 200 people, I usually think, ‘Oh, I have that beat.’ I just think you have to call everyone, absolutely everyone. I’m not going to get everyone to talk, but I did try.

Does Earl Jones fall in that category? You devoted several amusing pages to this terrible No. 1 pick who played only two games for the Lakers.

Pearlman: Earl Jones was my gold medal for this book. He went to University of District of Columbia, and the media relations guy had no idea where he was; none of his teammates knew where he was. Eventually someone tipped me off and I found him in West Virginia. I think he was unemployed. When I got him on the cell, I said, ‘Are you Earl Jones? He said, ‘Yeah.’ I went, ‘My God, I’m so happy to be talking to you.’ I’m sure he thought he was talking to the craziest guy in the world. But to me, it’s this euphoria. I love tracking people down and finding them. Funny, when I started my career, I was the worst reporter. I didn’t even care about reporting, and now it’s my favorite part of the whole gig.

Why wouldn’t Johnson and Riley talk to you?

Pearlman: According to Magic’s guy, he and Riley are doing a book together.

What was the situation with Abdul-Jabbar?

Pearlman: I got Kareem in a very weird way. Kareem has a publicist who is very difficult, and I didn’t get him. Then I have a friend who’s an editor of Slam magazine, and Slam was actually doing a sit‑down with Kareem. My friend said, ‘Give me the questions you want me to ask Kareem and I’ll ask him for you.’ I was able to get my questions asked, but I was unable to get him one-on-one.

Were you concerned about going forward with a book without talking to these key characters?

Pearlman: The thing is I have to say: Magic has written four books. Kareem wrote two books. Riley has written multiple books. They weren’t under any obligation to talk to me. You would prefer to speak to these people, but I would take (Lakers reserve guard) Wes Matthews two hours in a diner over Magic Johnson two hours in a diner. I feel like the stories are fresh and they haven’t been told.

Everyone told me I had to talk to Wanda Cooper (Michael Cooper’s ex-wife). She was incredibly blunt and candid.

Is it about context? Do the other people give you that insight that maybe the big stars wouldn’t give you?

Pearlman: Yeah. It kind of showed itself (in “Sweetness,” his biography on Walter Payton). I called every draftee the Chicago Bears had from Walter Payton’s lifetime and was able to get these great stories. I kept thinking if Walter Payton were alive, he probably wouldn’t remember the free agent running back from nowhere now, right? But the free agent running back is going to remember his interaction with Walter Payton. It’s the same thing with the Lakers. I talked to so many guys who never even made the team; they just were there as free agents, and they all had memories of things that happened, the interactions, the way guys interacted with each other. To me, it’s like the secret weapon of writing books.

Your portrait of Abdul-Jabbar was hardly flattering. What were your impressions of him?

Pearlman: Enigmatic I think is the best word and kind of tortured. I’ve said this a million times. He and Magic basically had the same basketball career. They were both winners on multiple levels, and superstars and iconic figures. One guy owns the Los Angeles Dodgers, coached the Lakers, held a position in the front office of the Lakers, has been an announcer, had his own talk show, and the other guy can’t get a coaching job in the NBA. To me it comes down to one real thing, which is how you treat people, and Kareem treated people badly all the time. He just was not a nice guy to the fans, to the press. He was very dismissive, very callous. I think it’s a very good lesson, I really do. When you treat people that way repeatedly, it catches up with you and people lose interest.

The other star of the book is the late Lakers owner Jerry Buss. He almost had a James Bond-like aura. The women wanted to be with him and the men want to be like him.

Pearlman: James Bond is a great comparison. He’s just this cool guy, whatever the image of cool is, smoking a cigarette and drinking his brandy in the Forum Club. Two Playboy caliber women by his side, owning the Lakers, filthy rich. People always said, ‘What’s he doing with women half his age?’ But the more I learned about him, he was really compassionate and really decent and really elegant. He had something really suave about him, clearly. I don’t know any guy that doesn’t want a little Jerry Buss in him.

What was the legacy of those Lakers teams?

Pearlman: There’s one thing I keep saying, and I wonder if it sounds weird or not, but I really think Magic ultimately was more important than Bird. (When Johnson was a rookie in 1979), the NBA back then was finals on tape delay, had a reputation of being in quotes, ‘too black.’ Here comes this guy, and he’s engaging and he’s smart and he’s funny and he’s handsome and he’ll hug anyone and he has a huge smile and he’s a brilliant basketball player. He’s like an artist. To me the importance of that, like I would say him and Sugar Ray Leonard were the guys in the early ’80s, black athletes who made their sports accessible to the white sports fan in Kansas who was saying, ‘This league is too black for me.’ I just think Magic’s impact, almost like because of the whole Magic‑Bird, Bird‑Magic thing, it’s a little under-rated how important he was as a figure in the development of the NBA.

As a writer, you’re already thinking of your next book. Do you have one in mind?

Pearlman: Yeah, I’m not allowed to say because I haven’t signed the contract yet. But I’ve already started.

What attracts you to writing books?

Pearlman: My first book came out in 2004 and I’ve written six books. It’s kind of a ridiculous pace. That’s a pretty hard case for writing books. If you want to do this stuff, you have to be prolific. I just love it. I love you sign a book deal, and they leave you alone for two years, and you just report and write. It’s my favorite job I’ve ever had.

NBC rooting for Blackhawks: Would hate to lose strong following in huge Chicago market

Not to wave the hometown flag too much, but Chicago Blackhawks fans aren’t the only people upset that they trail 2-0 in their playoff series with St. Louis. NBC also is a bit anxious.

In all sports, the networks always root for the team that delivers the most viewers. That’s the Blackhawks in the NHL.

Not only do the Blackhawks have a big national following as an Original 6 team, their local numbers in the nation’s third largest market usually make up a significant portion of NBC’s overall rating.

Saturday’s game 2 did a 1.6 rating on NBC, up 33 percent from the game that aired in that window in 2013. The game did a 9.5 rating in Chicago, which means it was seen in an estimated 332,500 households.

St. Louis actually had a higher local rating at 11.2. However, since St. Louis is the nation’s 21st highest market for Nielsen, that means the game was seen in an estimated 134,000 homes in that area, roughly 60 percent less than the viewership level in Chicago.

Just do the math, and it is easy to see why NBC is pulling for the Blackhawks to turn things around, beginning with Game 3 tonight.

Chicago power, with some considerable help from Boston, helped NBC and NBCSN average 5.76 million viewers per game in 2013, making it the most-watched Stanley Cup Final on record. Game 6 pulled in 8.16 million viewers, with nearly a million homes watching in Chicago.

NBC is realistic. The networks knows it isn’t going to have Chicago go deep in the playoffs every year.

However, no offense to St. Louis, but NBC would at least like to see the Blackhawks make the conference finals, if that’s not too much to ask.

 

 

 

 

 

 

Neat discovery: Finding an eyewitness to Babe Ruth’s Called Shot in my neighborhood; John Kass column on my book

While doing research for my new book, Babe Ruth’s Called Shot: The Myth and Mystery of Baseball’s Greatest Home Run, I obviously wanted to talk to eyewitnesses who attended Game 3 of the 1932 World Series at Wrigley Field.

Unfortunately, the great moment occurred more than 80 years ago, limiting my ability to get first-hand testimony on whether the Babe really pointed. Fortunately, I did talk to two people who were at the game: Former Supreme Court Justice John Paul Stevens and Lincoln Landis, the nephew of baseball’s first commissioner, Kenesaw Mountain Landis.

So imagine my surprise when I discovered there is a Called Shot eyewitness living only a few blocks from me.

Wednesday, Jamie Bradley of the Highland Park Landmark did a nice story about me and the book. That prompted a call from Marv Freeman.

“You don’t know me,” Marv said. “But I just read the story and wanted to let you know I was at the game.”

I was floored, especially when he told me where he lived. I definitely would have included him in the book. Since it is too late for that now, I’ll do it here.

Marv is 89 and still practices law. He was just short of his eighth birthday when his father took him to the big game.

“We had box seats between first and home plate,” Marv said. “My father pointed that Franklin Roosevelt (running as the Democratic candidate for president) and (Chicago mayor) Anton Cermak were sitting about 10 rows in front of us.

“When Ruth came to bat in the fifth, the crowd started to roar and taunt him. The players on the Cubs bench were also yelling. Since we were sitting on the first base side, his back was turned to us. What he did, I don’t know for sure.

“When he hit the homer, my father knew right away that it was a big deal. Back then, you could walk on to the field after the game. There was no outfield wall. It was just an open paved area with a wire fence.

“We wanted to go to see where he hit the ball (it traveled an estimated 490 feet, the longest homer in Wrigley Field at that point). The ball landed near a flag pole. When we got out there, I still remember an usher saying, ‘That’s where the ball landed.'”

Like Stevens and Landis, Marv was very proud to have been a witness to baseball history. He was very interested in my book and asked where he could get a copy.

I told him I would personally drop off a book. It’s the least I could do for someone who saw the Called Shot.

*******

Also want to thank Chicago Tribune page 2 columnist John Kass for the tremendous write-up on the book Thursday. Appreciate him looking out for a fellow White Sox fan.

Kass writes:

One of the great things about baseball in America is that while the games are played in the present, baseball also lives on in the past. And part of that past involves what I’ve come to understand is the Church of Baseball, that sentimental yearning for a certain type of myth.

That American yearning turns “The Natural,” Bernard Malamud’s novel of dark gluttony and guilt, into a happy ending of a movie with Robert Redford. It’s what prompts Hollywood to offer that soliloquy by James Earl Jones in the movie “Field of Dreams,” with Jones in his Darth Vader baritone waxing on about how the game remains constant, even as America tears itself down and rebuilds again and again.

So I was pleased to see that the introduction of Sherman’s book understands that yearning and begins with a quote, not from a baseball man but from a fictitious newspaper editor in the classic Western film “The Man Who Shot Liberty Valance.”

After he learns the real story, Maxwell Scott, the newspaper editor, gives instructions to a young reporter:

“When the legend becomes fact, print the legend.”

Did Ruth call the shot? Did the writers provide the myth to feed an America hungry for such stuff?

I guess you’ll have to read about it yourself.

 

 

 

 

 

 

Stopwatch patrol: ESPN’s Skipper needs to get up to speed about how slow play is ruining baseball

My latest column from the National Sports Journalism Center stemmed from me watching an excruciatingly dull Chicago-Boston game on Tuesday night. Still working on my goal to eliminate slow play in baseball in our lifetime.

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Tuesday, I came home around 9:30 (Central), and I noticed that Chicago and Boston were tied at 1-1. Since the White Sox, my team since the age of 5, are off to a decent start after last year’s 99-loss disaster, I have some renewed hope. Hey, that’s the beauty of baseball in April.

So I tuned in to see how they would do against the defending world champions. And I watched, and yawned, and watched and yawned, as the game crawled along at a maddening slow pace. Even White Sox announcers Ken Harrelson and Steve Stone took note.

“This game really is moving slow,” Harrelson said.

“That happens a lot with the Red Sox,” Stone said.

Finally, with the few fans and players suffering in the mid-30s weather (welcome to spring in Chicago), the game mercifully ended on a throwing error by shortstop Xander Boegarts, giving the White Sox a 2-1 victory. Perhaps Boegarts had enough of being out in the cold.

I looked at the clock and it was 10:43 p.m. That meant this 2-1 game in nine innings took three hours and 36 minutes to complete. Ridiculous. By the way, the first two runs were homers and the teams combined for only eight hits. So it wasn’t like there were any extended rallies.

Thus another entry in my “JUST PITCH THE BALL” campaign against slow pace in baseball. I believe these excessively long games are killing the sport, especially with the short attention spans of young viewers.

The Chicago-Boston game, though, struck me as particularly relevant in light of the recent comments from MLB commissioner Bud Selig and ESPN president John Skipper during a teleconference prior to opening day.

Here is the exchange:

****

Q: David Samson has made a big deal the last few months about the speed of the game, and he’s telling Marlins players they must play the game more quickly and it’s a big concern for him as far as attendance. John, from a TV standpoint, does speed of the game still worry you, and Bud, is there anything more being done to speed the pace up?

Selig: Well, it’s the pace of the game. Speed sometimes is not always the right answer. I’ve read David’s remarks. I have been talking to all of our people, particularly Joe Torre and Tony La Russa and Peter Woodfork and everybody, and yes, I’ve talked to a lot of the umpires, and I’m confident that we’re moving in the right direction, and it’s important that we do continue to do that. Obviously it will depend on the type of game, number of pitching changes, everything else, but yes, that is a matter that I have been talking to a lot of people about.

Skipper: Not a significant concern for us. I agree with the commissioner’s characterization that pace is much more important than speed. I’ve been at an awful lot of very riveting three and a half hour games. It really is about the competition and what’s going on, and we’re confident that as demonstrated over a long tenure that baseball will make the right decisions for the game.

****

Did Skipper really say, “Not a significant concern for us?” I wish Mr. Skipper would come to my house and observe my sports-obsessed teenage boys, who watch ESPN 24/7, and see how they squirm while trying to get through a tedious baseball game. They have checked out, and surely Skipper has data that shows other young fans have, too.

And it isn’t easy for me to stay tuned in, and I have been following baseball for nearly 50 years (very sobering to write that last line).

Maybe, it is because I can remember a 2-1 game taking 2:15, perhaps even less to be completed. And don’t give me pitch counts (there were a combined 22 strikeouts and 10 walks in the Chicago-Boston game). Bob Gibson, Tom Seaver and Ferguson Jenkins all had high strikeout totals, and still managed to complete games in timely fashion.

Skipper should be very concerned about the slow games. I’m sure Fox executives are too, given how World Series games routinely stretch into the four-hour neighborhood. Publically, Skipper may be saying one thing with Selig on a teleconference, but in private, I would be shocked if he isn’t telling the commissioner about the need to pick up the pace.

And if Skipper isn’t, then he is doing a disservice to fans who watch baseball on ESPN. Contrary to what he says, there are very few “riveting” games at 3:30.

I can assure Skipper that there was nothing riveting about a 2-1 game lasting deep into a cold night Tuesday in Chicago. Expect, of course, the final outcome to me since the right Sox won.

 

Sorry Jason Whitlock: No Pulitzer Prizes awarded to sportswriters this year

Dang Jason, you were snubbed again for the Pulitzer.

If recall last year, Jason Whitlock took considerable flak for writing that he did Pulitzer Prize caliber work in 2012. He even compared himself to Mike Royko. He bemoaned the fact that contest isn’t opening to writers who worked for broadcast sites.

Have to admit, it takes some stones to say you should receive a Pulitzer.

Well, not sure if Whitlock had any worthy entries in 2013. He didn’t promote himself this year. Perhaps as a result, when the Pulitzers were announced this week, I didn’t see his name on the list of winners.

Maybe next year, Jason.

More importantly, there weren’t any Pulitzers awarded to sportswriters. Nothing really new there.

Last year actually was the exception–somewhat. John Branch of the New York Times won his wonderful piece on skiers caught in an avalanche. However, that piece was more about survival than sports. In 2012, Sara Ganim of Harrisburg Patriot-News, a cityside reporter, was awarded the prize for her coverage of the Jerry Sandusky disaster. Again, that was a criminal story involving a football coach.

What I’m saying is that neither reporter won for traditional coverage of sports.

Check the record books. Prior to Branch, George Dohrmann of St. Paul Pioneer Press was the last individual sportwriter winner in 2000. He received the Pulitzer for his reports of fraud in the Minnesota basketball program. Ira Berkow shared the 2001 Pulitzer for national reporting for his article “The Minority Quarterback” in a New York Times series on race in America.

Since then, more than a decade, nothing. The Pulitzers bypassed Lance Williams and Mark Fainuru-Wada’s fine work on BALCO for the San Francisco Chronicle.

Actually, the Pulitzer snub goes back forever. Only three columnists: Red Smith (1976), Dave Anderson (1981), and Jim Murray (1990) have won the award for commentary. Zero for Grantland Rice and Jimmy Cannon, giants among giants. And the fact that Smith and Murray had to wait until they were so deep into their careers is absolutely absurd.

Now, it’s been 24 years since a sport columnist has claimed a Pulitzer. Meanwhile, a myriad of other columnists in other departments have enjoyed champagne celebrations in their newsrooms.

Back in 2012, I had Frank Deford speak for the profession. His words are worth repeating again.

In his book, Over Time: My Life as a Sportswriter, Deford details how the sportswriting fraternity repeatedly gets dumped on when it comes to major journalism awards. The Sports Illustrated legend writes in the book that he once asked NPR to nominate him for a Peabody Award for his weekly commentaries on sports.

NPR decided against it after a Peabody representative flat out said Deford wouldn’t win the award.

He writes:

But this is what stung: Peabody’s spokesman told Ellen (McDonnell, NPR’s executive director of news programming), “You should’ve nominated Daniel Schorr for politics.”

The late Mr. Schorr was the distinguished political commentator on NPR–as far as I was concerned, they could’ve given him a Peabody each and every year. But the idea that his work talking about politics merited recognition simply because of the subject matter, while mine disqualified me–well, yeah that upset me. I’m sorry, but every now and then I take umbrage.

Regarding the Pulitzers, Deford also takes umbrage with the committee giving an annual award to an editorial cartoonist.

Deford writes:

Hey, I love political cartoonists. But how many of them are there left? What? Two dozen? And how many newspaper sportswriters are there? Thousands. And for them, the Pulitzer people deign to give out one to a guy at the New York Times every generation or so.

Deford concludes his rant as only he can.

I’m sorry, I can’t apologize for pointing out what slights we in the profession so regularly receive. Sports journalism has been such a crucial economic part of the daily press that it ought to be recognized more, if only because it’s kept a lot of newspapers in business. And yeah, I know, it’s the toy shop. But some toys are very well made.

Exactly. Time for the Pulitzer committee to take a closer look at our toys. Even Jason’s.