Q/A with Andrea Kremer: Why NFL Network hired her to cover league’s most controversial issue: player safety

The biggest threat to the future of the NFL is the repercussions of increasingly bigger players banging into each other at increasingly higher speeds.

Not to be a doom and gloomer, but if something truly catastrophic happens during a game, it will cause the country to re-examine this thing called football.

So it’s big news that the league-owned NFL Network just hired Andrea Kremer to cover the one issue that threatens the entire sport.

Sunday, Kremer made her debut on the network as the new “health and safety” correspondent. She did a story (here’s the link) on Oakland receiver Darrius Heywood-Bey, who recently had to be carted off the field after a concussion. Heywood-Bay talked openly about what happened, and Kremer’s interview with a doctor at Cleveland Clinic showed with graphics what happened to Bey’s brain. Sobering stuff, to be sure.

Kremer is an important hire for the league and the network. It begs many questions about the motives and how much she will be allowed to do.

A long-time reporter for HBO’s Real Sports with Bryant Gumbel, Kremer is one of the best in the business as an investigative journalist. Given the subject, her reports on “health and safety” could make things uncomfortable for the NFL and football, in general. She said her domain will span the entire spectrum, including youth programs.

Kremer also is anxious to learn some of the answers. Several times she used the phrase, “cautiously optimistic” about her work with NFL Network during an interview with her last week.

How did it come about?

The NFL Network decided they wanted to launch this unit covering health and safety issues. When I first heard about it, my skepticism oozes out from every fiber of my being. What? Why?

I talked to Mark Quenzel, (senior VP of programming and production). He says to me, ‘Look, we feel we need to do more substantive stories. And the key issue is health and safety.’

They are hiring my credibility, my reputation. I didn’t build that–put it in parentheses over 30 years–to have it reduced to propaganda. That’s not the way it is going to be.

My role isn’t to take anyone down. My role is to present the issues out there. We are not bereft of ideas.

What were behind your initial reservations?

You don’t want to be a mouthpiece for the NFL. There are a lot of issues that exist. I view this as trying to enlighten the audience about these issues in a deeper way. It’s that simple. There is a lot of stuff out there about concussions. What can we show differently about it? There is a lot of concern and misinformation about concussions.

This is like a managing editor position. My job is to generate content. We walked into a brain-storming meeting with 12 very smart people in the room. I have this huge file in my hand. I go, ‘You guys have been thinking about this for about 10 days. I’ve been thinking about this for about 20 years.’

When you talked to Quenzel, what did you say to him? What kind of assurances did you get?

There are never assurances for anything. There’s always good faith, but it’s not as if I had anything written in my contract. I know what I’m comfortable with and not comfortable with. It’s a fluid situation. We’re working on a case-by-case basis. I go back to what I said: ‘I didn’t spend my entire career building up my credentials to have it tossed out here.’

The best way to put it is that I’m cautiously optimistic. I have no reason to not think I won’t be able to bring a different level of programming and ideas to the network.

What kind of statement is NFL Network making by hiring you?

I give them a lot of credit. I know there are people there who said, ‘Do you understand what you’re doing by hiring her? Do you understand what you’re getting yourself into?’ That was respectfully, not negatively. They said, ‘Yes, we do. If we’re going to be credible, taken seriously, this is what we need to do.’

I sense the network is fully aware that this is a huge issue. They have not fully dealt with it. They need to deal with it from a journalism perspective, and they will. But it’s definitely a learning curve for them.

Former players have filed lawsuits against the NFL. Will you be able to report on stories on an NFL-owned network when the league is a defendant?

I haven’t been told (she can’t). Dealing with the lawsuit would be no different than how the NFL Network–or quote-unquote–TV partners with the league dealt with the CBA, handled the refs, or other issues. You had plenty of people at the NFL Network pining about how poorly the refs were. The commentators have been very honest with their assessment.

That’s part of what’s going on. If there’s a former player we wanted to profile who had a number of significant issues, in my mind, as long as we go to somebody at the league or with the players association, if we can find that person to tell their side of the story, then we’ve presented both sides. Our job is to provide the audience with enough information to reach their own conclusion.

Are you concerned that people will view your reports through the prism of the NFL Network? As a result, people might not feel you are totally objective.

I learned through the Twitter universe there’s nothing I can do to mold people’s opinion if they have some agenda.

I can say this: Not only have I been given any indication of censorship, I’m sure not being given any special treatment. I’m not going to get people just because I work for the NFL Network. I’ve been trying to work on a story, and I’ve put in requests and I’ve been rebuffed.

I know how I’m going to approach my job. I know my comfort level; I know what my obligations are, and that’s what I’m going to adhere to.

You’re a top reporter. If you found a story that blew the doors off this issue, are you confident you would be able to run it on NFL Network?

It’s so hypothetical. Here’s all I can say: I’m going to try.  I am cautiously optimistic that we’ll be able to do something that’s impactful.

 

NBC Sports Network will feel pain of NHL lockout starting tonight; forced to air old DeNiro flick instead of hockey

If you’re a fan of old classic sports movies, you’re going to love the NHL lockout.

Tonight, instead of airing the scheduled hockey doubleheader that would have kicked off the season, NBC Sports Network will show The Fan, starring Robert DeNiro and Wesley Snipes. Not once, but twice.

Hey, wouldn’t Slap Shot have been more appropriate for what was supposed to be the NHL’s opening night?

In upcoming weeks, expect to see The Natural, Rocky, Rudy, and whatever else NBCSN can dig up in its vault.

The NHL stoppage (Note: Illustraton by Nate Beeler of Columbus Dispatch) couldn’t come at a worse time for NBCSN. After enjoying a terrific run during the Olympics, the network has had a dearth of live programming from Monday through Friday.

That would have changed with hockey starting. NBCSN is supposed to air games on Monday, Tuesday and Wednesday nights, with Wednesday being exclusive. A Sunday night package returns after Jan. 1.

All told, NBC and NBCSN were scheduled to air more than 100 regular-season games. Obviously, that’s not going to be the case with the current labor situation.

How is NBCSN going to fill the void? Here’s the official comment:

“It’s unfortunate that the lockout is causing the cancellation of games from our schedule. In the interim, we have a large amount of quality live-event programming, including soccer, boxing, college hockey and college basketball, that will air in place of NHL games. We look forward to presenting the NHL to its fans as soon as the labor situation is resolved.”

Indeed, you can get your Pierre McGuire fix on Friday night. He and Dave Strader will be on call for the Ice Breaker Tournament in Kansas City Friday and Saturday. It features Notre Dame, Maine, Army and Nebraska-Omaha.

Technically, it’s hockey, but it’s not the same as what was on tap for Friday night: New York Rangers at Los Angeles, with the Stanley Cup banner being raised in the Staples Center.

The post-Olympics period hasn’t been kind to the NBCSN. John Ourand of Street & Smith’s Sports Business Journal reports ratings have hit “historic lows.” An August airing of Costas Live attracted only 40,000 viewers. Hard to believe.

NBCSN also failed to land a portion of the new Major League Baseball TV deal. Regardless of the costs, I thought the network needed baseball to boost its profile.

Usually, NBCSN could count on its old pal hockey, beginning in October. But thanks to Gary Bettman, owners and players, that window is closed for now.

While it has some replacement programming in place, it hardly has enough to fill the huge void.

For instance, instead of hockey on Monday, NBCSN will show highlights from the women’s gymastics team competition at the Olympics. On tape, naturally.

 

 

 

 

 

 

 

Q/A with Sports on Earth execs: Why it isn’t Grantland; Luring Posnanski from SI as signature hire

Sports on Earth is another Grantland, right?

Like Grantland, SOE features a daily offering of select stories by top writers. It has a similar look. Grantland has Bill Simmons; Sports on Earth has Joe Posnanski. Both are the endless salad bowl when it comes to going long, longer, longest.

Yet Sports on Earth isn’t Grantland.

A veteran scribe put it to me this way: “The Grantland writer will write about his experience getting to the game. The Sports on Earth writer will write on the game.”

OK, that may be stretching it a bit when it comes to Grantland. The site does have quality writing about sports. But it also veers in pop culture and other areas that go beyond the arena.

Sunday, Grantland’s main headlines included posts on Adele, Tim Burton and Liam Neeson. All three couldn’t have been worse Sunday than my fantasy quarterback Cam Newton (you were horrible, Cam), but that’s about it when it comes to sports parallels.

Sports on Earth is just about sports. It will write on Coco Crisp (also had a rough day) getting a poor break on a ball as opposed to Breaking Bad.

SOE, a joint venture between USA Today Sports and MLB Advanced Media, debuted in August. The site features Posnanski, the headliner lured over from Sports Illustrated, Tommy Tomlinson, Gwen Knapp, Dave Kindred, Leigh Montville, Will Leitch, Shaun Powell, Chuck Culpepper, among many others.

With that kind of lineup, the content couldn’t help but be strong. But will it make for a successful site?

And looking to the future, has Sports on Earth secured the domain name for Sports on Mars?

I did a Q/A with SOE general manager Steve Madden and editor Larry Burke.

How did it happen that USA Today and MLB joined forces here?

Steve Madden: The idea for a sports site, and not just a sports site, but one very specific to the best writers on all kinds of sports news, is something that had been discussed on (MLB Advanced Media CEO) Bob Bowman and (MLB.com editor) Dinn Mann. It had percolated along here for a while.

The way the world works, Bob Bowman got to know Tom Beusse (president of USA Today Sports Media Group) because their sons go to school together. They started to kick around ways to work together. It seemed to make sense. BAM has this new technology and USA Today has been aggressive about building a sports destination. It seemed like a good idea to work together to do it.

How do you explain this site?

Larry Burke: I say it is built around great writing. Columns and quick analysis. We do some deeper dives. We’ll do some enterprise writing, like the piece Selena Roberts did on Floyd Landis and Lance Armstrong.

We look at it as the idea of less being more. We all aspire to be a news site per se; a place where you come to check scores or headlines. We want to be on the news without a lot of clutter. You’ll find 5, 6, 7 things to read each day, and it’s easy to navigate through it.

We’ll have some surprises. As you develop a relationship with the site, you’ll say, ‘There’s something I didn’t expect to see. I’ll give it a shot because I like what I saw last time.’

You talk about clutter. Is there a feeling that some of these sites are too overwhelming and people stay away? Is this the counter to that idea?

Madden: I’m not sure that’s a counter to that idea. We don’t think people will say, ‘I’m just going to go there and not go to other sports sites.’ It’s just that a lot of sites are a mile wide and in some spots, an inch deep. We think there’s a real value proposition to providing a lot of focus on sports and the sports of the day.

Voices seems to be a key word There are so many voices out there. Talk about the important of having good voices that people want to read.

Burke: The phrase we kicked around a lot was ‘great writing with a point of view.’ Joe brings that unique voice. We looked for writers who didn’t have that quote-unquote take, but were able to step back and look at things in interesting, smart and sometimes different ways. When you’re writing on pieces in the news, there are a lot of choices. We know people have choices. Why would they come to us? How do we get our place in the universe? The bar is set high.

Joe Posnanski had a good job at SI. You must have done a good sales job to get him to come over.

Madden: The only other sales job I did better was on my wife. It wasn’t so much that I needed a big name. I wanted a name people would recognize because of the quality of his work. That’s why Joe has a following. Joe’s work is emblematic of what the best sportswriting can be. It is insightful, analytical. It’s really well done. He makes an emotional connection that’s really, really important. How can you go wrong? The other writers who have come along are also like that.

(Steve was told) Joe’s piece on Steve Sabol was the single best thing he read on that topic. That’s our goal, to deliver the single best piece on that topic. If that’s the goal, then you need to hire people like Joe Posnanski.

What’s your response when people say you want to be another Grantland?

Burke: It seems to come up a lot more outside these walls than inside. I can see why. Structurally, Grantland is a site about great writing existing in a larger entity: ESPN.com. In a simplistic way, you can say we’re the Grantland of USA Today.

I never thought of it that way. I don’t think anyone here did. I personally feel the writing at Grantland is terrific. I feel there are a number of sites and publications that are doing great work. We’re not trying to knock anyone out of the way. We’re trying to pull up a seat at the table. Everyone here felt that there was a place for something like this.

Grantland does more with pop culture.

Madden: There are a couple of differences. They have the latitude to write about pop culture. We decided one of the things that makes us different is that we focus just on sports. Second part of it is the newsiness. Writing off news is pretty important to us.

What are the goals here? What’s reasonable to expect in this market?

Madden: We’ve only just started. One of the things I’m pleased about is the average time spent on the site. It’s 7 1/2 minutes. Because of the way we designed this thing, the central experience is about reading. Now we have an engagement story to tell, which is great.

The other encouraging metric is direct load. People like what they see and they’ve bookmarked it. They’re coming back daily. Those numbers are pointing in the right direction.

 

 

 

 

 

 

Sports analysts weigh in on debate between Obama-Lama and Rawlings Mitt Romney

Forget about what Blitzer, Maddow and O’Reilly had to say about last night’s debate. This is a sports media site. So we asked the various announcers and analysts for their assessment.

Jon Gruden: This guy, this Mitt Romney. I’ve been watching him for years. He always has a knack for coming up with the big play. What a guy.

Chris Berman: Barack Obama-Lama couuuld gooooo alllll the wayyyyyy….WHUUUP!!…Was there a banana peel on stage?….Here comes Rawlings Mitt Romney to scoop up the ball….

Tim McCarver: In a situation like this, the challenger will try to throw off the incumbent by attacking his record in office. And that’s exactly what Mitt Romney did tonight.

Dick Vitale: Oh, oh, are you kidding me? Mitt Romney, he’s a PTP player, baby! Only Coach K could have done that better. But then there’s only one Coach K. He’s awesome, babyyyy!

Cris Collinsworth: The president was terrible. There’s no other way to put it. He was terrible.

Johnny Miller: The president choked. There’s no other way to put it. He choked.

Al Michaels (big-time Republican): That’s what I’ve been trying to tell everyone. You want another four years of that?

John McEnroe: What was Obama thinking? All he did was hit to Romney’s forehand. You’ve got to make him move. Put him on the defensive. He can’t be serious!!

Ken Harrelson (pro Romney): Youuu can put it on the booooard! a-YESSS! YESSS!

Ken Harrelson (pro Obama): (Silence)

David Feherty: The president looked as if he reached into his bag and pulled out a large slab of Silly Putty. I’m not sure what that means, but it sounds funny, so laugh.

Jack Ramsey: This was nothing like Lincoln-Douglas debates in ’58. 1858, that is. I should know. I was there with Jim Lehrer.

Lee Corso: Not so fast, Obama. Not so fast. My friends, the winner is…(Putting a Romney head on his head)…Romney! (Crowd at Al Michaels’ house roars).

Michael Strahan: Can we book Romney for Live! with Kelly and Michael? Find out what TV shows he likes.

Skip Bayless: I’ve been telling everyone this thing isn’t over. But nobody would listen to me. No. I’m telling you, it is going down to the wire.

Stephen A. Smith: I know Barack Obama. He’s a good friend of mine. I picked out the ring he brought for Michelle. But c’mon Barack, you’ve got to do better than ‘I’m going to try harder.’ What’s with that weak crap? Let me write your stuff. Skip is much tougher than Romney, and I beat him all the time.

Terry Bradshaw: Can either of these guys sing? If they are make me watch them for 90 minutes, then I want to hear some songs.

John Kruk: Another slab of ribs, please. More sauce, too.

In the interest of full disclosure, I’m a life-long Democrat. So my reaction would be the same as the pro-Obama Harrelson: Silence.

 

 

 

 

 

 

 

 

 

 

Payton biographer goes after Ditka: Calls former coach ‘unambiguously stupid’

Jeff Pearlman is not about to go gently into the night. Oh no.

The author of Sweetness: The Enigmatic Life of Walter Payton continues to fire back at people who accuse him of doing an injustice with his portrayal of the late, great Bears running back.

This time his target is Mike Ditka. Writing on his site, Pearlman takes great offense to Ditka’s introduction in a new book Walter and Me, written by Payton’s brother, Eddie.

A portion of the foreword reads:

“And when it comes to someone writing about my friend, I have to ask, how well did the writer really know him? Did he grow up with him? Was he on the field with him? Did he live with him? Was he a parent? Was he a coach? Was he a player? In the case of Jeff Pearlman, the answer to those questions is, “no.” Pearlman wrote a book about Walter, but it was written from a distance. It was all secondhand. He put together a few things he’d heard—some of them from people who have very little credibility—to paint a picture that just doesn’t look much like the Walter I knew …

“He’ll always hold a high place in my book, and you couldn’t pay me enough to ever crack open the cover of Pearlman’s book. I know he tried to say you can’t just look in the excerpts, but I saw all I needed to see in those excerpts. It’s pathetic to write something like that about an individual who isn’t here to defend himself. If the person has passed and can’t respond, then just let the speculation rest with him. Period.”

Pearlman doesn’t mince words about his feelings toward the former Bears coach. He titled the post, “Dicka.” He writes:

The book’s introduction is written by Mike Ditka, a person I consider to be, unambiguously, stupid. I would call Ditka’s brain rock-like, only I feel it could be interpreted as an insult to some of the world’s fine rocks. Ditka is, in no particular order, a dolt, a bully, a thug, a moron, an ass and a fool.

Pearlman continues to take the sledgehammer to “Iron Mike.”

I love how Mike Ditka has taken ownership of Walter Payton, and feels comfortable in discussing his legacy. If Ditka knew Walter so well, how was he thoroughly, 100-percent unaware of his late-life despondency and depression? If Ditka was so tight with his former halfback, why didn’t he help him out with the emotional problems that so plagued him? Where was Mike Ditka when Walter Payton needed him?

Furthermore, in all those years of slamming Walter Payton into defensive lines, did he ever think, “Hmm, perhaps I should give him a rest?” Did he ever think, “Maybe this pounding is too much?” It’s easy now, years later, for Ditka to talk about all the wounded warriors and how much help they need with the physical and mental beatings NFL life offered. But where was such judgement when he was coaching? Where was Mike Ditka then?

Pearlman notes that he interviewed 700 people for the book, including Ditka and Eddie Payton (twice). He contends to do a complete and accurate portrayal of Payton, he had to delve into his troubled personal life. Pearlman understands how that bothered Payton’s fans, who don’t want his memory to be tarnished in any way.

Pearlman concludes:

I could understand Mike Ditka disliking the book. I could understand Mike Ditka ripping it in an introduction that, we all know, he didn’t write and probably didn’t even review.

What I can’t understand is his pride in blind idiocy.

That’s just pathetic.

Pearlman’s Payton book now is out in paperback. In August, he did an interview with me in which he said he hoped people in Chicago would give the biography a second chance.

Clearly, there are better marketing strategies than taking shots at Ditka, an icon among icons in Chicago. It’ll give his critics another excuse not to read the book.

Pearlman, though, doesn’t care. If somebody takes a swing at him, he is going to swing back. Sales, be damned.

 

 

 

 

 

My First Job: Roger Maltbie tells off producer during first Ryder Cup; Thought his NBC career was over

Roger Maltbie will be working his 11th Ryder Cup for NBC.

However, back in 1991, Maltbie feared his broadcast career was over after his first Ryder Cup.

In today’s My First Job, an on-going series on people’s first forays in the business, Maltbie discusses why he decided to leave the PGA Tour even though he still was exempt to play for several more years.

And Maltbie talks about how he told off the producer in the aftermath of Mark Calcavvechia’s meltdown at Kiawah in 1991. When the confrontation happened, he didn’t expect to be on hand for a second Ryder Cup.

*****

Roger Maltbie: Announcing came out of the blue. In 1987, NBC tried out a bunch of us at Kapalua. Koch was there. Johnny Miller. Dick Stockton. Irwin. They offered me a job, but I said, ‘No thank you. For what you’re offering me, it doesn’t make sense.’

They asked me again in ’89. They had a big schedule of events. I wasn’t interested. I wanted to play more golf.

By 1991, I had two shoulder surgeries. I had won the World Series of Golf in 1985. That gave me a 10-year exemption through ’95. I could still play, but I wasn’t the same.

They asked if I wanted to do the Bob Hope. I said, ‘OK, but only if you give me the Ryder Cup (later that year in Kiawah).’ The Ryder Cup was getting big, and I wanted to be there.

I remember on the last day Mark Calcavecchia lost the last five holes of his match. (Producer Terry O’Neill) said, ‘Leave your match and go find Calc to get an interview.’ Calc was in a TV trailer. Peter Kostis was trying to console him.

Mark was in no condition to talk. He thought he just cost the U.S. the Ryder Cup. He was physically ill. His eyes were swollen shut from crying. I walked in, took one look. Peter shook his head. I said, ‘I get it.’

I walked back to the compound, and O’Neil was in the doorway. I said, ‘I found Calc, but he can’t speak.’

He said, ‘I told you to stay with him. Stay with him and he’ll talk.’

I said, ‘I’ll tell you what, pal. Why don’t you stay with him and maybe he’ll talk to you. I’m not doing it.’

I wasn’t going to be the reporter standing outside the house that’s burning down trying to interview the people who own it.

I figured, ‘Well, so much for the TV thing.’ I thought, there’s no way they’re going to hire me now.

Thankfully, they did.

 

How the Ryder Cup went from nothing to coveted TV property for NBC

It’s Ryder Cup week, one of the biggest weeks in golf. The event will get wall-to-wall coverage on NBC and the Golf Channel.

It wasn’t always that way. During the 1980s, the Ryder Cup barely registered with the networks.

It might have stayed that way if NBC hadn’t lost its Saturday afternoon baseball package. But it did, and the network found itself looking for sports programming in September.

NBC took a flier on the 1991 Ryder Cup at Kiawah. However, it generated little interest from sponsors, and the network had low expectations.

Well, it turned out to be the greatest Ryder Cup ever, captivating the entire country. Suddenly, the event became a hot TV property.

NBC Sport Jon Miller, president of sports programming for the NBC Sports Group, tells how the Ryder Cup became the Ryder Cup.

********

Jon Miller: The Ryder Cup had been on USA Cable with a taped version on ABC. It never was a big event. It took place in the fall. ABC had college football. We had baseball. There was no home for it.

NBC baseball made a decision not to extend baseball deal in 1989. We needed to fill 26 weeks of programming.

Since we were out of baseball, we made a deal with Joe Steranka (of the PGA of America) for the Ryder Cup. We had two sponsors: Cadillac and IBM. We wanted to create a Masters feel.

The plan was to show three hours a day on Saturday and Sunday, and three hours on USA Network on Friday. It was big deal at the time.

In Jan., 1991, Operation Desert Storm happened. The economy suffered greatly. There were management changes at IBM and GM, and both companies walked away from the deal. In the spring of ’91, we had no advertisers and were facing big production costs.

Suburu was exclusive car advertiser for $500,000. We went to Wally Uihlein (the president of Titleist). He said nobody is going to watch a golf tournament in September. He offered us 25 cents on the dollar.

We ended up with major, major leakage. There was no way we came close to breaking even on it.

We get to Kiawah. The first day’s matches were exciting. Seve and Azinger get into it.

Then there was fog on Saturday morning. Nobody could play until 9:30. When we come on the air at 3, the afternoon matches just started. By the time we got to 6, all four matches are on the course. Great matches.

We ran all of our commercials. We knew we had an hour to 90 minutes left. I called (NBC Sports president Dick Ebersol), and we decided we’d stay on the air. Since we ran all of our commercials, we ran last 90 minutes commercial-free. The matches were terrific. It was amazing television.

On Sunday, it came down to the last putt (Bernhard Langer missed to give the U.S. the victory). The next thing you know, Kiawah became “The War by the Shore.” The overnight numbers were OK, but it didn’t come anywhere close to showing the kind of passion and heat that the event generated (among viewers who watched). People talked about it, and the Ryder Cup went to another level.

I don’t think American TV viewers had seen golfers get this nervous under this kind of pressure. It was so compelling.

For the 1993 Ryder Cup in England, we changed our strategy. We increase the number of hours. We sold five advertisers and we’re were off and running.

It’s been a great marriage ever since.

******

For more, Classic Sports Network has a complete breakdown of TV and the Ryder Cup.

 

Eisen Q/A on his podcast: Hanging with Olivia Munn, Matt Damon, Larry David; football as pop culture

Part 2:

Really, the picture (courtesy of the NFL) says it all for Rich Eisen. I mean, the guy is getting paid to talk football with Olivia Munn!

And Matt Damon, Jon Hamm, Adam Sandler, Larry David, “The Most Interesting Man in the World” guy, etc…

Eisen casually mentions that he is in a fantasy football league with Jeff Garlin, as if we’re all in a fantasy league with the Curb Your Enthusiasm star.

The guy truly is living the life.

In Part 2 of my interview, he discusses the popular Rich Eisen Podcast and how he deftly mixes football with pop culture. Actually, Eisen contends they are one and the same.

Here’s the Q/A:

So what is like sitting across from Olivia Munn for an interview?

It was great. I’d love to have her back. She also had a really good take. She said Romo is going to have a better year because now he’s married. Sure enough, Week 1, he had the best game of his career.

How do you explain your podcast to people who never have heard it before?

This is what I love about the podcast. Sometimes it’s talking about football, and other times, it’s about pop culture.

We had Bryan Cranston on. He’s not a football nut, so we spent 40 minutes talking about Breaking Bad, which is one of my favorite TV shows.

Matt Damon came on once last year. He knew every facet of the Patriots season. Every nuance. I turned to the movie he was promoting, and he seemed visibly irked that we were talking about his movie. It was like, ‘Hey man, let’s talk ball, because when I talk to the guy from Extra or ET, I can’t talk ball.’

Is that why the stars love doing the show so much?

It could be the engaging host too.

Why does the NFL and pop culture mix?

I get Tweets from people saying they want hardcore sports stuff. I say, hey, listen the NFL isn’t just sports. It’s pop culture. The NFL, to me, has reached the iconic pop culture status. It’s up there with movies. Watching the NFL is as part of the American pop culture landscape as going to a movie theater.

The big game of the season (the Super Bowl) has a rock concert in the middle of it. It’s a convergence of sports and entertainment. That’s what I’m trying to do with the podcast.

You live in Los Angeles. You have stars on your podcast. If I looked at your cell phone, would I be impressed with your contacts?

(Embarrassed laugh) I don’t know. I’ve been fortunate through the podcast and living where I live to meet a lot of people who are talented. Actors, actresses, directors. People I’ve admired for years. Part of the thing I love about the podcast is whenever I meet people I’m a fan of, I don’t mind telling them.

Who is  your favorite?

Larry David, hands down.

Why?

I’m friends with one of his executive producers on the show. A guy named Jeff Schaeffer. Through Jeff, I got invited into this focus group. You go and watch the Curb show in an edit bay months before it airs. Everything is so improvised, they want to make sure everything makes sense to people who aren’t involved in the show.

So they show the episode. It’s 6-7 people sitting in an edit and Larry is in the back with a note pad. He takes notes on whether they are laughing or not. Later, they ask questions, ‘Did you understand this? Did you get that?’

Based on that, I asked if Larry would call into the podcast. It couldn’t have been better. Then for last year’s debut, I invited Larry in. Believe me, during the lockout, I was looking for any sort of escape.

He came in to do a round table with Jeff Garlin, JB Smooth, and Bob Einstein. It was amazing. That was my favorite podcast, hands down.

 

Q/A with Rich Eisen: His on-camera emotions about Sabol; progress of NFL Network; the Real Deion

First of two parts:

Rich Eisen tried stand up comedy in a former life. Humor is a big part of his repertoire as the signature host of NFL Network.

Viewers, though, saw another side of Eisen last Tuesday. Eisen was visibly emotional in announcing the death of NFL Network President Steve Sabol. Here’s the link.

Eisen knows how much Sabol meant to his life. Without Sabol, he said, there would be no NFL Network.

Eisen has been there from Day 1 in 2003. He brought the channel on the air, saying “Your dreams have come true.”

Nine years later, it has become a dream job for Eisen, who took a considerable risk by leaving a fairly great gig at ESPN. In addition to his hosting duties on NFL Network, he also has a popular podcast that allows him to hang with stars like Larry David, Matt Damon, Jon Hamm, among many others in Los Angeles. And he ventures even further out of football by hosting a reality show, The Great Escape, on TNT.

In my part 1 of my interview, Eisen discusses Sabol, his on-air reaction, the progress of NFL Network and working with Deion Sanders.

What was is it like going on the air to announce the news of Sabol’s death?

I’m like everyone else my age. I grew up on NFL Films. My love of the game was stoked by NFL Films. I had the fortune to actually meet the man, and call him my colleague and know how he affected my career. Without him, the NFL Network never gets on the air. It wouldn’t be an embryo without him and his dad (Ed Sabol).

So to be the person on NFL Network given the assignment to break the news, it was moving to say the least.

How did you feel about becoming so emotional?

I got a call earlier in the day that this could happen. On the drive in, I’m thinking, ‘Is this really happening? He’s larger than life.’ It just caught me.

My philosophy in broadcasting is if there’s an emotion to the story and you’re feeling it, there’s no shame in showing it. I didn’t even give it a second thought.

Were you thinking about how he impacted your life?

It wasn’t just me. I always have Twitter open. I love to see the reaction from everybody on Sundays. Sabol was trending on Twitter within 15 minutes of the announcement. There was a collective mourning, and people were tuning into our network as if they were laying a wreath on a public memorial.

When I wrote my book about joining NFL Network, I asked Steve to write the foreword. Within 90 hours, it was in my hands. And it was a take on a topic of the book that I never would have thought of.

He’s one of those types of people who are inspirational. I’m not talking about professionally. I’m talking about personally. When we first went on the air, I never met the guy. Within six weeks, there’s an envelope. And it’s a hand-written note from Steve Sabol, saying, ‘Great job.’ Wow, to think this guy would take the time to do it. It was inspirational.

You took a big step leaving ESPN in 2003.

In the grand scheme of things, you could say that. But at the time, if you were going to bet on a start up, a channel about the NFL, run by the NFL, specifically Steve Bornstein, you’d make that bet.

How far have you and NFL Network come in nine years?

I’m thrilled with the way everything has turned out. I love being at the center of the NFL. The idea of the NFL as a year-round venture has become more of a mainstream idea. At one of my last SportsCenter idea meetings in April, ’03, somebody brought up an NFL story and was laughed out of the room. Now ESPN has two live NFL studio shows. This network was created to raise all boats for the NFL.

It’s been great and getting to plant a flag on the podcast. I love the free-form format.

How important is it for the network to go from 8 to 13 Thursday night games?

We all understand it is a valuable commodity. The fact we’re entrusted with more games means a lot. Means more travel. It means a lot of work. But we all understand the value of live NFL programming.

To me, what we do on our postgame show is very special. Watching the players run off the field and come to our set. Some of them just want to hear from Deion, Marshall and Irvin. ‘Tell me how we did.’ That’s great.

We’re in a good place now with 13 games and our Sunday morning show. I’d put that show up against anybody’s. And our game coverage. We’re all very proud of it.

What is it like to work with Deion Sanders. Is he the same off camera?

He’s the same. The most successful people I’ve met are the same on and off the air. Chris Berman. That’s not an act. When I got there in ’96, I observed Berman do a SportsCenter. He only did a couple a year at that point. And the guy who walked into the room for an idea meeting was the same guy I had seen on TV for a decade.

Deion is the same thing. He’s a great broadcaster and teammate. He’s always aware of what other people want to say and how to set it up. Some of my favorite converations with him are about baseball. Listening to him about riding the bus in the minors. I just love everything about him. I’d go through the wall for him.

Tomorrow: Eisen on his podcast: interviewing Larry David; sitting across from Olivia Munn.

 

 

My first job: David Feherty trades clubs for microphone at age 37

David Feherty will be in my town next week for the Ryder Cup at Medinah. Among his many duties for the Golf Channel will be doing a special Chicago-edition of Feherty Live with Michael Phelps among the guests. It will air Wednesday at 9 p.m. ET.

Feherty usually pokes fun at his game, or lack thereof. However, he was a member of the 1991 European Ryder Cup team and had three top 7 finishes in majors, which meant he was a pretty good player in his day.

Feherty, though, decided to walk away from the game at the relatively young age of 37. In my special feature looking at people’s first job in the business, he discusses why he took up CBS on their offer to become an on-course analyst in 1996.

Here’s David:

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I was standing at the bar at Akron, Ohio. I had won some tournament in a communist country and qualified for the World Series of Golf. I was drinking vodka and Gatorade because I still was an athlete. I was approached by two gentleman who said they were from CBS. Immediately, I thought, ‘Oh my God, this is 60 Minutes.’ I was drinking so heavily and hooked on narcotics and painkillers. I thought they’ve been through my room and found the stash.

They said they just lost Ben Wright and were looking for someone to report from the fairway. And they said I knew the players and knew the caddies. I’m thinking, ‘I know the caddies alright.’

It quickly occurred to me, ‘Wait a minute, they’re offering me a job?’ Then they told me how much they were going to pay me and I said, ‘Do you want to buy a set of clubs?’

I was 37 and I knew these jobs don’t come around very often, and I knew it was something I wanted to do. I thought, ‘Well hell, I’ll take a crack at that.’

On his first tournament: I worked the PGA Championship that year. I played a limited on-course role. I was very nervous. I had to wipe my ass with my microphone shield that particular tournament, as I recall. I wasn’t sure when I should speak and when I shouldn’t.

I just knew where I should be. As a player, I knew how close I should get. The caddies knew me and I got information from them that people hadn’t been getting before. What clubs and exact yardages? I sort of fell into it. I got it very quickly.

On transition from player to broadcaster: There was a period of time for the trust factor to mature. I went so quickly from being a player to broadcaster, there was a little confusion at first. But the players immediately knew I wasn’t just an ordinary journalist. I was a player. I wasn’t going to move my eyelashes. I was a piece of furniture that they knew wasn’t going to be a problem to them. I had that advantage.