Nichols-Beadle situation calls for media to stand together as one

My latest column for the National Sports Journalism Center at Indiana:

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In 1999, Ed Hinton of Sports Illustrated was denied a credential to cover the Indianapolis 500. The Indy Racing League was upset after Hinton wrote an article critical of racing safety.

The IRL’s decision created a firestorm, given Hinton’s stature as one of the top auto racing writers in the country. There were threats of a mass media protest of the race in support of Hinton.

My former boss, John Cherwa, the Chicago Tribune’s associated managing editor for sports, actually returned his paper’s credentials to the race. He wrote:

“We can’t allow the people we cover to pick the reporters they want to cover them. How can you, as readers, have confidence that the reporting we give you is unbiased if the people running an event are picking the people who write about them?”

IRL didn’t want an empty press box and eventually gave Hinton a credential to the race.

There you go, power of the press.

The Hinton story came to mind in light of what happened to Rachel Nichols and Michelle Beadle last weekend. Twitter blew up Saturday following their tweets about being banned from the big fight in Las Vegas.

Apparently, Floyd Mayweather and his camp didn’t like that Nichols and Beadle dared to point out that the boxer has a rather extensive history of domestic violence. Nichols grilled Mayweather during a remarkable interview last year on CNN.

Throughout the day, there were questions about whether Nichols and Beadlewere denied credentials. Finally, near fight time, Nichols wrote a long tweetexplaining what happened to her. She clearly was denied.

Bottom line: It was an incredibly stupid move by the Mayweather camp. The Washington Post’s Sally Jenkins said in a tweet: “Woman-hater#FloydMayweather just made domestic violence and Rachel Nichols and Michelle Beadle the chief topic for the next 12 hours.”

Geoff Baker of the Seattle Times also was outraged:

“The decision by Mayweather’s camp to deny credentials to Nichols, Beadle and others who challenged this corporate-mandated sanitization of things marked a new low in coercion by an athlete among the world’s wealthiest.

“Imagine how (Roger) Goodell or the Ravens would have been crucified by public opinion had they banned critical reporters during the Rice scandal. Even the NFL, wielding greater power than most sports in controlling the news narrative, figured that line couldn’t be crossed.”

The larger issue from a media perspective came from Christine Brennan of USA Today. She actually was in Louisville for Kentucky Derby Saturday. However, after hearing of the flap about Nichols and Beadle, she said she wished she was in Las Vegas so she could stand with her colleagues. Brennan wrote:

“Every journalist who is credentialed to cover the fight at the MGM Grand Arena should stand with Nichols and Beadle and not go into that fight. When Mayweather bans two, he bans all of us.”

Indeed, I had the same reaction when I heard the news Saturday. I did tweets saying reporters should refuse to cover the fight in support of Nichols and Beadle.

As far as I could tell, nothing materialized in regards to a formal protest. The Mayweather camp tried to insist that the reporters were credentialed, and some of the details regarding Beadle were murky. It wasn’t as clear-cut as the Hinton case at Indy.

Hopefully, though, a protest was considered in the press room, even if only for a few moments. Brennan is right: The media needs to be united in these situations.

If it means actually a reporter pulling out on covering a big event like the fight, so be it. You can’t have reporters thinking twice about asking tough questions or writing critical stories out of fear they won’t be credentialed for an event. As Cherwa wrote in 1999, sometimes taking a stand on principle is more important than covering the story.

Power of the press is dwindling commodity these days. But the power still is there if the media comes together when their fellow reporters are treated unfairly.

The last thing these entities want is an empty press box.

Sports Emmy for Paul Konerko? Nominated for farewell video

Paul Konerko won many honors during his baseball career, but he probably never thought about winning a Sports Emmy.

Konerko’s “PK Thanks Chicago” farewell video is nominated for a Sports Emmy in the category of Outstanding New Approaches-Sports Programming Short Format. The Sports Emmys are Tuesday in New York.

The video, produced by 312 Media and aired on MLB.com, mixes images of Konerko packing up balls in the indoor batting cage at U.S. Cellular Field along with highlights of his career.

Tad Hathaway of 312 Media said Konerko wanted to do a video as a way to thank Sox fans for their support.

“We wanted to show all the hours he spent in the batting cage,” Hathaway said.

Hathaway said Konerko was actively involving in planning the video. The former Sox star even assisted on the production side. After seeing the edited version of the video, he suggested that the images of him picking up the ball in the cage should run in black-and-white. It helped give the piece a different feel.

“Paul has a good eye for concepts,” Hathaway said. “It was a good suggestion.”

Konerko’s video will be up against some strong competition at the Sports Emmys. The other nominees are Fox Sports for “Captain’s Curtain Call” on Derek Jeter; “NFL Up!” by NFL Digital Media; and “Putt Putt Perfection” by Grantland.

Chris Berman on turning 60: ‘Putting on the 14th hole’; Inducted into Cable Hall of Fame Tuesday

When you reach a milestone birthday and receive a big lifetime achievement honor at the same time, the finish line to a career comes into clearer focus.

Chris Berman definitely will have reason to be reflective this week. Tuesday, the long-time ESPN anchor will be among this year’s inductees into the Cable Hall of Fame at a ceremony at Navy Pier. Sunday, he turns 60.

Berman, an avid golfer, put the current stage of his career in golf terms.

“I’m putting on the 14th hole,” Berman said. “I still have a few more holes to affect the overall score. There’s no other way to look at it.”

When told many prominent sports announcers are working well into their 70s, Berman said, “I won’t go that long.” However, he also stressed he isn’t making any plans to retire just yet.

“Sixty is an eye-opener,” Berman said. “The belly’s bigger and you have less hair. But I still enjoy what I’m doing and I still think I’m good at it. I think people like getting their football from us.”

The Cable Hall of Fame honor also has Berman taking stock in his career. He was an unknown 24-year-old broadcaster when he joined ESPN in Oct., 1979, one month after the new network launched. The six-time National Sportscaster of the Year helped put ESPN on the map.

“Cable has been around for about 40 years, and I’ve been around for almost all of that,” Berman said. “I realize people are appreciative of what ESPN has done. Me being the quarterback, I get a little more credit than I deserve, or a little more blame than I deserve. They’re honoring the network.

“I think of all the people whose names you’ll never know. A piece of them shares in this award.”

Really? Roger Goodell says he appreciates role of the media

Northwestern Medill School of Journalism hosted a session with the NFL commissioner while he was in town for the NFL Draft.

Medill alum Christine Brennan served as the moderator. The Daily Northwestern report included this passage.

Goodell told the audience he wanted to speak with Medill students because of the important role the media plays in the NFL.

“I enjoy the opportunity to have these kinds of exchanges. … It was something we thought would be a great opportunity for us to be able to share our perspective,” he said. “Journalism is very important to our business. We want the facts out there.”

Think I’ll just leave that last line alone.

 

Sports media beat: Howard Cosell if he existed today; Blogs With Balls fireworks; Tim Kurkjian

Reprising an old favorite. There’s always so many good stories on the beat worth sharing.

Ryan Glasspiegel of Big Lead did an interesting two-part series on Howard Cosell. Part 1 dealt with why he became disillusioned with sports. Part 2 examines what kind of work he would do if he existed today.

I asked Kornheiser if he saw similarities between Cosell and Keith Olbermann. “I agree with you on Keith — I think he’s the logical connect-the-dots guy,” he said. “I’m a big fan of Keith Olbermann. The thing that Howard valued most was brains, and Keith’s got brains.”

Dave Kindred, who wrote a dual biography of Cosell and Muhammad Ali entitled Sound and Fury, concurred. “Howard would have to be the star of anything he did today — there’s no doubt about that,” Kindred said. “His ego would demand that, and almost nothing else. That was one of the things that enabled him to be a star in his time. There was nobody else. He was everything. Everything that he did, he did by himself. Everything that broadcast media has grown into, he did in one version or another. Olbermann is a direct descendant. He’s smart and can connect the dots between cultural events and sports events. He’s the closest to Cosell. Cosell wanted out of the sports box — for a stretch, Olbermann was out of the sports box.”

There was a panel that created fireworks at the Blogs With Ball convention. Andrew Bucholtz of Awful Announcing reports reports.

Kluwe also made a passionate case for letting athletes speak out, saying  “We are human beings as well. We would like to use that voice the way everyone else gets to use that voice. We’re gladiators. Go forth and bleed in the arena. And then shut your f**king mouth. That’s bullshit.” Harison responded by saying Kluwe being cut by the Vikings was his own fault for being such an activist. “You did create a circus around yourself and played a position that’s replaceable.” (It’s notable that Kluwe also said later he believes he was cut for his views, saying “”If you speak up, and you’re not a Tom Brady or a LeBron James, teams can find reasons to replace you.” His interpretation of the “circus” is rather different, though.) Kluwe then brought this around to Floyd Mayweather, saying that Harison’s “sports should be sports” stance would completely ignore Mayweather’s domestic abuse record. “You’re saying that we don’t have to care that Floyd Mayweather is a serial abuser of women because he can box really well.” He followed that up with perhaps the line of the day, blasting noted Mayweather enabler Stephen A. Smith: “First Take is huge, it makes a ton of money, it’s dragging us straight towards Idiocracy.”

Tim Kurkjian is the latest subject in the “Still No Cheering in the Press Box” series by the Povich Center for Sports Journalism at Maryland.

Transitioning from writing to broadcast was difficult at first. I spent a fortune on clothes. I wear more makeup than my wife. I spend a lot of time walking around talking to myself. I finally figured out in a short amount of time that broadcast is just like presenting a story in the newspaper, but you just have to present it in another way.

The newspaper business and magazine business taught me how to tell a story. Being a reporter, I knew how to report the story; I just had to do it in a slightly different way for television. The newspaper training I got trained me to be on TV, and I’m sure it could work the other way, but I think it’s a whole lot easier to go in the other direction, the way I did it.

I’ll always love writing the most. But I must say, I love doing television because I can talk about something right now. With the newspaper, I’d have to wait ’til the next morning. With the magazine, I’d have to wait an entire week. Now, if I need to say something, I can say it now and not have to wait. The spontaneity of TV I really like.

Matt Zemek of Awful Announcing details why Google might affect Twitter’s ability to break news.

 

 

 

Adam Schefter, master Tweeter: Reporting on NFL in 140 characters

An excerpt from my latest column for Poynter:

Update: After saying he planned not to be on Twitter during Thursday’s first round, Schefter actually did do a few tweets. However, he didn’t tip any picks.

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Schefter admits being told not to tweet during the draft “feels very odd.” Yet when he shut it down prior to last year’s opening round, he also found it liberating.

“If someone else tweets out news, my bosses don’t care,” Schefter said. “I’m almost granted immunity. It was refreshing. I was able to concentrate on reporting stories (for the telecast) without having to worry about putting up tweets. It almost felt like what it was like to be a sportswriter 20 years ago.”

Schefter was that reporter 20 years ago when he covered the Denver Broncos for the Denver Post. He had plenty of scoops on the beat. He would file his story; it would get edited; and people would read it when the paper hit the doorstep the next morning. Meanwhile, his newspaper competitors couldn’t follow up on his scoop until the following day.

“Back then, the shelf life of a story was 24 hours,” Schefter said. “Now it’s 24 seconds. Twitter has completely redefined how we operate. The job is different.”

Twitter now has Schefter on call 24/7. A few weeks ago he was at a New York restaurant with his wife and friends on a Friday night when his phone started buzzing. He thought, “What’s going on here?”

Somebody told him Miami Dolphins center Mike Pouncey was receiving a contract extension. “I got the contract terms while we were having appetizers,” Schefter laughed.

Schefter excused himself to do additional reporting and then post his tweets.

“My family has become very understanding about it,” Schefter said. “They know what my job is about. News can break at any moment.”

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Schefter isn’t alone in Twitter shutdown. Big Lead reports NFL has asked all its broadcast partners to not tweet out picks tonight.

 

 

 

 

Chicago will be a star in ESPN, NFL Network coverage of draft

An excerpt from my latest Chicago Tribune column:

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Both networks will have broadcast positions in Grant Park along with their traditional sets inside the Auditorium Theatre. Bears legend Dick Butkus will be featured on the voiceover for NFL Network’s open Thursday.

“Chicago is going to be a main character in our coverage of the draft,” NFL Network producer Charlie Yook said. “This thing is bigger than just football this year.”

Both networks praised the NFL for moving the draft out of New York. While ESPN producer Seth Markman believes Radio City Music Hall is a fine venue, he said it had reached the point “where we could do a draft there in a our sleep.”

Markman admitted he was nervous when he first toured the Auditorium Theatre, noting “it’s really small.” But he and the rest of the crew became invigorated with the prospect of airing the draft for the first time with an outside component.

“Being in Chicago is going to provide a jolt of energy that we feel is needed,” Markman said. “It’ll look great. It’s the right city to be in. When the Bears are on the clock, it’s going to be some kind of moment.”

John Wildhack, ESPN executive vice-president of production and programming, is counting on Bears fans to put on a good show.

“Chicago is an amazing sports town,” Wildhack said. “The scene and the environment are going to be spectacular.”

 

Lessons learned from Bryan Price tirade

My latest column for the National Sports Journalism Center at Indiana:

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Adam Silver gets it. Bryan Price does not.

There was much written last week about the Cincinnati manager’s profanity-laced rant at Reds beat reporter C. Trent Rosencrans. Price’s liberal use of F-bombs assured him a place in the Tirade Hall of Fame. However, the bad words wouldn’t be a surprise if you’ve ever spent any time in a baseball locker room. Literally every other word heard wouldn’t be suitable for the Disney Channel.

Still, managers usually clean it up when there are microphones in their faces. Otherwise, you wind up going viral when the language gets overly colorful, a lesson manager Price learned last week.

Price was thoroughly ripped for contending that beat writers should withhold information if it hurts the team they are covering. Let’s all agree it was a ludicrous statement. Even Price’s fellow managers wouldn’t back him.

It is 2015, the age of social media with a seemingly unlimited demand for constant content. As ESPN’s Buster Olney said in a tweet: “For Bryan Price’s peace of mind, he should look at it this way: Everything gets out. And when it doesn’t, he can view that as a bonus.”

Yet it was a quote from Silver that stood out last week. The NBA commissioner didn’t address the Price situation. Rather, during a meeting with the Associated Press Sports Editors association, he was asked for his thoughts on in-house media:

“My philosophy had been that we’re better off not being in the news business because we’re not going to be the most reliable source. We recognize that. The fans are sophisticated, the market is sophisticated. The fan knows that the content they will find on NBA.com is not the same content they will find on a third-party media site.”

Well, give Mr. Silver a silver star. Clearly, the commissioner has a solid understanding of the media.

The NBA, like the other sports entities, is in the content business. It is a smart move considering the insatiable appetite for information on the game. Why shouldn’t the league also cash in with its own website? Sports teams are pouring millions of dollars into their online entities. They have become yet another revenue stream.

If you want information and updates on your favorite team, by all means goes to Steelers.com. Fans can find much worthy content on these home-team sites.

Silver, though, knows there is a difference between a website controlled by a league or a team and a site that is independent. If anything controversial arises, the coverage will be much different on ChicagoTribune.com than Bulls.com. Or let’s say,  ESPN.com compared to NFL.com in the case of the Ray Rice situation. NFL.com didn’t write that Roger Goodell should be fired.

Again, it goes without saying that independent sites will cover these stories with much more of an edge, and if they are doing their jobs right, will be willing to hold the subjects more accountable for their actions. Silver understands fans are “sophisticated” enough to know where to go to get the unvarnished coverage.

The difference also could be as simple as this: If Price asked the reporters who work for Reds.com to withhold information about a player not being available, they wouldn’t write it. Rosencrans doesn’t work for Reds.com; he works for the Cincinnati Enquirer. He wrote it.

One more thing: Rosencrans is to be commended for not exploiting Price’s tirade. He wrote about the immediate aftermath on his blog:

“It was supposed to be a typical day — and Monday was anything but. As a reporter, you want to report the news and stay out of it. Trust me when I say that, because I woke up Tuesday morning to a call from CNN wanting me to go on TV and I told them no. I’ve told ESPN no. I’ve told some radio station in Toledo no. I’ve told everyone who has contacted me no. (And let me make it clear, nobody from WLW has contacted me — nobody, no matter what they say.) That would be me making myself the story. I am not.”

Exactly. Rosencrans was just doing his job. Fortunately for the Enquirer readers, he does it well.

 

DVR alert: Jeremy Schaap’s E:60 profile of Ernie Johnson

For the first time, E:60 will profile someone from a competing network. Then again, Ernie Johnson is more than worthy. Tonight at 7 p.m.

You may know him as a lead play-by-play announcer for Major League Baseball games or one of the broadcasters during the NCAA Men’s Basketball Tournament. More likely, you have seen his studio work covering the NBA for TNT – the affable host trying to keep the outsize and outspoken personalities of Charles Barkley, Shaquille O’Neal and Kenny Smith in line. But chances are you have never seen Ernie Johnson like this. E:60’s Jeremy Schaap spends time Johnson – from the studio, to his home in suburban Atlanta, to everywhere in between – and uncovers so much more to Johnson’s story. They talk about his famous father, his battle with cancer and balancing his roles as television personality and family man. As much success as he has had in front of the camera, he considers his biggest accomplishment to be what he does away from the spotlight. Johnson and his wife Cheryl have four adopted children, including Michael who was born with a progressive form of muscular dystrophy and lives on a ventilator in his parents’ home. E:60 explores a very personal and revealing profile of a man that has, as Charles Barkley puts it, “uncommon courage and a pure heart.”

How NFL draft helped put ESPN on the TV map

An excerpt from my latest Chicago Tribune column:

Plus some video from the 1981 draft in which Sam Rosen questions why the Giants would use the second pick on Lawrence Taylor. How did that work out?

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Chris Berman has told the story so many times it now feels like he was there for the meeting.

Back in 1979, Chet Simmons, president of a new network called ESPN, made a proposal to Pete Rozelle to air live coverage of the NFL draft. While Rozelle might have been the most media-savvy commissioner in sports history, even he couldn’t comprehend why ESPN would bother covering an event where basically nothing happened from a visual standpoint.

“To Pete, it sounded like reading names from the phone book,” Berman said. “Everyone said, ‘Who’s going to watch?'”

Simmons, though, persisted and ESPN covered its first draft in 1980. It proved to be a pivotal moment not only for ESPN but also for the NFL.

ESPN’s primitive coverage laid the roots for what will be a three-day, high-tech extravaganza in Chicago this week. ESPN’s early association with the draft enabled the struggling network to gain an important foothold in the market. It also transformed the NFL from a six-month, game-driven league to a year-round obsession about who’s going to be taken No. 1.

“The draft helped put ESPN on the map,” said John Wildhack, who joined the network in 1980 and now is its executive vice president for production and programming. “It helped the NFL become more than just a fall sport.”

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To underscore the low-tech nature of the event, while Rozelle was announcing George Rogers as the No. 1 pick in 1981, an assistant literally reached over and turned on his microphone. ESPN’s set consisted of a table in the ballroom with George Grande as the anchor and football writers Paul Zimmerman and Howard Balzer serving as the expert analysts. Mel Kiper Jr. had yet to be invented.

Early on, Berman was assigned to a popular New York restaurant to get fan reaction and talk to former players like Kyle Rote. He remembered the place going dark for 10 minutes because ESPN’s power supply was essentially an extension cord from the truck.

“It felt like we were doing it with two tin cans and a string,” Berman said.