Q/A with ‘Benji’ directors: New 30 for 30 has dramatic interview with Wilson’s killer; powerful message about youth violence

What did I just see?

While watching a screening of ESPN’s new 30 for 30 Benji (Tuesday, 8 p.m. ET), I nearly fell out of my seat about 2/3s into the film.

The documentary recalls the tragic story of Ben Wilson, the No. 1 ranked high school player in the country who was shot down outside his Chicago high school prior to the start of the 1984 season. A 6-8 guard, Wilson drew comparisons to Magic Johnson.

It was a senseless act of violence that rocked Chicago and became a huge national story (opening from the film, below). More than 10,000 people attended Wilson’s funeral.

I covered the story for the Chicago Tribune. While the film was powerful and extremely moving, much of the content was familiar territory for me.

And then appeared the last person I expected to see.

Suddenly, there was Billy Moore, the high school boy who killed Ben Wilson. The kid who broke so many hearts and caused so much pain.

I had to do a double-take. Was it really him? Why was Moore dressed in civilian clothes? Was Moore speaking from prison?

It turns out Moore served 20 years in prison and now works as a youth counselor. He even was cited in a White House ceremony in 2009 as an example of rehabilitation.

In the film, Moore tells his version of what happened on that tragic day. He claims it was an altercation that got out of hand and that Wilson was more of the protagonist.

Whatever, Moore had a gun and used it to kill an innocent person.

Moore said he regrets what happened and how he wasn’t that kind of person. Clearly, he has turned his life around.

Yet I couldn’t help feel the anger about the life Ben Wilson never got to live. I’m sure many people will feel the same way watching the film tonight.

I had a chance to talk with Coodie Simmons and Chike Ozah, co-directors of the film. Simmons grew up on those rough Chicago streets and was 13 when Wilson died.

I wanted to know about the film, but first I had to ask him about the interview with Moore.

Here’s my Q/A:

How did you land that interview with Moore?

Simmons: One of Ben’s friends, Mike Walton, knew somebody who knew Billy. Billy called and said OK.

Really, one of Wilson’s best friends helped set you up with the interview?

Simmons: Yes, they understand what happened. They forgave him.

(Note: I am told Wilson’s friends hugged him after a screening in Chicago.)

How did the interview go?

Simmons: We just related. We’re both from the streets of Chicago. There’s a certain way you move around. He felt comfortable because of the things I went through.

Did you feel any anger in talking to Moore? What he did devastated the lives of a lot of people.

Simmons: I didn’t feel any anger towards him. He never wanted to shoot anybody. He destroyed his life. He said, ‘That wasn’t me.’

I know people who have been shot. I know people who actually have shot people.

When I was that age, we had guns. You felt like you needed one. You felt safe with it. I thought it was natural. This is what it was like in the inner-city. You’ve got to protect yourself.

I understand that could have been me.

It’s been 28 years since Wilson died. Why does his story still resonate today?

Simmons: It hit me a like a family member. I used to sneak in to watch him play. He was this great basketball player who was going to make it.

This was like Superman getting shot. ‘Wait a minute, This isn’t supposed to happen.’

When it happened, everyone came together. He actually changed lives in 1984. For this film, we thought we could bring that same kind of peace by telling his story.

How good was he? Has his legend been exaggerated in death?

Simmons: Everyone said he was Magic Johnson with a jump shot.

Ozah: The one thing that seemed constant from talking to everyone was how good he was. The kid was something special.

Wilson’s girlfriend and mother of his son and his son weren’t in the film. Why?

Ozah: We had some ups and downs with them. The final decision was they didn’t want to do it.

What do you hope people take from this film?

Ozah: I hope these young kids who are carrying guns look at the consequences of what could happen. Hopefully, they’ll step back and see that it isn’t cool.

Simmons: Usually you hear about the person who got killed. You don’t usually hear from the person (who committed the murder). What did he go through? What did he put his family through?

That’s why it was so important to have him in the story. Billy is the one who is going to reach those kids. He’s going to be the one who has the impact.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New 30 for 30 on Ben Wilson recalls memories of surreal night in Rockford

The upcoming 30 for 30 documentary on Ben Wilson brings me back to a horrible night in 1984.

The powerful film (ESPN, Tuesday, 8 p.m.) tells the tragic story of a Chicago phenom, who was ranked as the top high school recruit in the country. A 6-8 guard, Wilson was drawing comparisons to Magic Johnson as he was about to begin his senior season at Simeon High School.

Then it all ended when Wilson was shot down in a senseless act of violence. His death rocked Chicago and became a national story.

Here’s a link to the trailer.

I wasn’t much older than Wilson, having just turned 25. I was looking forward to covering Wilson during my first year on the boy’s basketball beat for the Chicago Tribune. I never got to see him play.

Wilson died on Friday morning. Simeon made the decision it still would play that night against Evanston in a game at Rockford. I was assigned to cover that game. Of course, there would be no game detail in my story.

My friend and former colleague, K.C. Johnson, now the Bulls beat writer for the Tribune, also was there that night as a player for Evanston. He appears in the film.

I just remember the whole evening being surreal. There was the scene of the players coming out to the court just hours after their good friend was slain. Nobody knew how to react. Then during the moment of silence for Wilson, there was the unforgettable image of Simeon coach Bob Hambric, who rarely showed emotion, wiping a tear away from his eye. That picture ran across the entire country.

Everything else was a blur. I didn’t have time to write a conventional story. I quickly pieced the story from one deadline to the next.

Coming off Simeon’s victory for their friend, my story began: “The healing process has begun for the Simeon basketball team.”

It probably was a bit too optimistic. Simeon had many painful days ahead.

I didn’t know it back then, but the Tribune editors submitted my story from that night into the Associated Press Sports Editors contest. I won second for best news story.

The award helped my career. The following year, I was assigned to be one of the beat writers for the 1985 Bears.

My family and friends were excited about the award. They framed the story along with the blurb about my second-place finish in the APSE contest.

I had it on my wall for a while, but then took it down. The story was about a young boy dying. I just saw sadness every time I looked at it.

Looking back, I wasn’t out to win an award during that night in Rockford. I did what I had do. Like everyone else, I wish I was just there to cover a normal basketball game.

I would have given anything to have seen Wilson flying across the floor, making us wonder if he was another Magic Johnson.

Tuesday: I speak to the directors of the film and discuss the stunning interview that occurs at the end.