My First Job: Gottlieb predicts Patriots doomed with Brady at QB; Set to debut new CBS Sports Network show Monday

Doug Gottlieb is ready to roll on his new gig with CBS. Monday, he will debut a new show, Lead Off, on CBS Sports Network. Airing at Midnight ET, the nightly program will focus on the next day’s conversation in sports (Details below).

Also, Gottlieb soon will have an afternoon show on the new CBS Sports Radio Network and he will be part of CBS’ NCAA tournament coverage.

Now that he has reached the top, it seems to be a good time to reflect on how he got started. Gottlieb has come a long way since his days as a guard at Oklahoma State. Even back then, he was thinking about a career in broadcasting.

In the latest edition of My First Job, Gottlieb recalls his first jobs in the business and how he was just slightly off on his first prediction about a back up quarterback named Tom Brady.

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When I was in school, I did some guest-hosting with Jim Traber in Oklahoma City. Then when I got out, I filled him for him. I got $100 per show, and $200 for a remote.

Also, I went on Jim Rome’s show as his college basketball analyst. Todd Wright at ESPN always had me on his all-night show.

My first show for ESPN Radio was filling in for Todd. They wanted him to go to Bristol the first week after 9/11. He wouldn’t go on a plane, so they asked me.

I watched all the (NFL) games on that Sunday. Drew Bledsoe got hurt that day. I said, ‘That’s it. The Patriots are finished. They can’t win with a quarterback who never played before.’ I had never heard of Tom Brady. So much for that prediction.

After I was done playing, ESPN called and asked if I wanted to do an audition. My first game was with Dave Revsine. It was Colorado-UNC Charlotte. We thought we killed it. We emptied our notebooks and gave everything we had.

When we got back, (a top executive) said, “You guys were horrible. You talked too much. You talked over each other.”

OK, that’s a nice start.

I eventually got on TV at ESPNNews. Then I did some stuff at ESPNU. I did a month of shows I believe nobody ever saw. Literally, there was one show where the lights went out on camera. But we kept going with the lights off. It was a memorable night, to say the least.

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Here are the details of Gottlieb’s new show from CBS:

CBS Sports Network’s new live, late night show, LEAD OFF, which will air weekdays from 12:00-1:00 AM, ET, debuts Monday, Oct. 22. The show has added Allie LaForce as co-host, teaming with Doug Gottlieb. LEAD OFF will feature commentary and debate on the top stories and news with a focus on the next day’s conversation.

Gottlieb and LaForce will lead off together this week as contributors on ROME, which airs on CBS Sports Network from 6:00-6:30 PM, ET.

LaForce previously worked for Fox 8 News inCleveland,Ohioas a sports anchor, as well as a color analyst and sideline reporter for the regional sports network SportsTimeOhio. She also has been a studio host covering the Mid-American Conference and various high school championships.

LaForce graduated magna cum laude from Ohio University’s Honors Tutorial College with a degree in Broadcast Journalism. She was a member of theOhioUniversitywomen’s basketball team for two years, before leaving to start her broadcasting career. In 2005, LaForce was named Miss Teen USA, the first winner from the state of Ohio.

LEAD OFF will provide perspective on the sports news of the day, advancing the storylines fans will be discussing in the morning. The show will serve as the first opportunity for sports fans to discuss and debate, ‘What’s next?’, while featuring a mix of live guests, highlights, energetic debate and commentary from Gottlieb, LaForce and others, reacting to the biggest stories and events of the day, with a targeted focus on the hot topics and tomorrow’s headlines.

LEAD OFF will be produced by dick clark productions, and originate from CBS Sports Network’s Orange County, California-based studio.

 

 

Simmons, Rose part of revamped ESPN NBA Countdown

Bill Simmons’ dream continues to get better. The NBA junkie now will be talking hoops with Magic Johnson as part of ESPN’s revamped NBA Countdown.

In are Simmons and Jalen Rose. Out are Jon Barry and Chris Broussard. Remaining are Johnson and Michael Wilbon.

ESPN felt like the show needed some tweaks. Simmons, who has his hands on pretty much everything at ESPN, obviously is seen as an upgrade with his unique perspective.

Thanks to the magic of video, here are Simmons and Rose talking about being “teammates.”

For those who prefer reading, here are some quotes:

“I think the four of us will be able to have good conversations,” Simmons said. “We’re all going to say what we’re thinking. I’m better playing off other people and I think Jalen is the same way and I know Magic is the same way — all four of us can do that. At the same time we want the show to have a level of sophistication.”

Mark Gross, ESPN senior vice-president and executive producer for content said:

“The unique, diverse perspectives of our new commentator team fit perfectly with the show’s free-flowing format. Bill brings a deep knowledge of the league past and present, an entertaining style and an ability to articulate his inventive thoughts from a fan’s point of view. Jalen’s lengthy playing experience and his strong, informed opinions will give fans great insight into how and why things happen on the court. They join a team that includes one of the greatest players of all time and one of our most versatile and engaging commentators.”

 

35 years ago: How too much wine nearly cost Skip Bayless scoop on Joe Namath retiring

Skip Bayless has a tremendous story about Joe Namath’s retirement. When we worked at the Chicago Tribune, I was like a kid, asking him to retell it like some favorite old tale.

Well, it just so happens that Namath played his last game 35 years ago this week. As this classic Monday Night Football video below shows, he was dreadful, throwing four interceptions in the Rams’ loss to the Bears.

To mark the occasion, I thought it was a good time to share Bayless’ story. Here’s Skip:

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I did sidebars (for the Los Angeles Times) on their game-days. We had a mutual friend. He put in a good word for me with Namath.

Namath hated the media. He was at war with the New York media and soon was at war with the LA media. He wouldn’t talk with anybody. He’d do a brief post-game. He’d hang his head, barely speak.

After the first exhibition game, I went to him. I said, “Joe, Skip Bayless.” He immediately lit up. “Joel told me,” he said.

So I hit it off with him. During the year, I’d get little scoops nobody else could get.

It ended very badly for him. Both of his knees were shot. He played only four games and lost his job to Pat Haden and Ron Jaworski. Their season ended very badly with a home playoff loss in the rain to Minnesota.

On Monday, I was sent to the Rams facility just to do a wrap-up. I walked in the lockerroom and it was mostly empty except for Namath. He was cleaning out his locker. I walked over, and I said, “You look like you’re leaving.”

He said, “I’m retiring. I’m done, man.”

I said, “Can I write it?”

He said, “Sure. You can have it.”

I said, “Can you talk about it now?”

He said, “I’m busy. Let’s meet in a couple hours. We’re having a little party (at some bar).” It was a California fern bar.

I run to the phone. I called my boss. I was like a son to him. He said, “This is huge. They are holding Page 1 for you.”

I show up and they’re already rolling. He’s got a bunch of friends I’ve never seen before. They were really close. They weren’t football people. They were already into their cups.

He had saved me a seat right next to him. He said, “What are you drinking?”

Quick back story: I came from a double alcoholic background. Both of my parents were wrecks. My grandparents were wrecks. My mother’s brother died of cirrhosis of the liver. My whole family was riddled with alcohol.

I had been told I had a genetic predisposition to alcohol. I’m obsessive compulsive. So I always avoid alcohol.

I just got married to my high school sweetheart. I was in a business fueled by alcohol. She always said, “If you have to, just order a red wine. Take a couple of sips and you’ll be OK.”

I start to nervously sip the red wine and try to take notes. I sipped through a whole glass of wine. The waitress immediately put down a second glass. I had no conscious thought of any danger.

Finally, I said, ‘Joe, I’ve got to run.’ As we stood up to shake hands–and I am not exaggerating one bit–I fell backwards into a man seated next to me. And then I fell on the floor.

Joe Namath stood over me and looked me right in the eye, and said, “Son, you’re drunk.”

I said, “No, I’m not.”

He said, “What do you plan to do?

I said, “I plan to go write my story.”

He said, “Are you going to drive?”

I said, ‘Yes.”

He said, “No, you can’t drive.”

He helped me to my feet. I felt my way out of the bar and called my boss. He knew I had issues with alcohol. I said, “Bill, you won’t believe this, but I’m drunk.”

I quickly told him the story. He did not chuckle.

OK, what are we going to do? I was in no condition to write anything. He asked, “What are the odds the Los Angeles Herald-Examiner has this story?”

I said, “I had no hint at all, but Joe despises everyone but me.”

“What if we hold the story?” he said.

I said, “I’ll give you 99.9 percent chance it’ll survive.”

He said, “OK, let’s hold it for a day.”

Sure enough, Joe didn’t say anything. And the next day, we had our story.

 

 

Cover story: Sports Illustrated stands by reporting in Mathieu story; Nelson suit against SI dismissed

Update: A judge has dismissed a lawsuit filed by former UCLA basketball player Reeves Nelson against SI. Details below.

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Tyrann Mathieu is on cover of this week’s Sports Illustrated. However, it is not exactly the way he envisioned.

piece written by Thayer Evans and Pete Thamel focuses on the personal problems that have the LSU star on the sidelines this year. It contains some allegations that Mathieu might have broken some NCAA rules. It could derail a return to LSU next year.

The most interesting part of the piece is that it includes quotes from his father, who is serving a life sentence in prison for murder.

Mathieu declined to be interviewed in the story and claims SI harrassed him. From Fox 8 in New Orleans:

Sheila Mathieu calls the article “unfortunate” and says she can’t understand why Sports Illustrated would respond so viciously to a family’s decision to keep private matters private.

“They twisted things and cobbled together details from past articles because we wouldn’t sit down with them,” she told FOX 8 Sports.  “We have always believed in being a tight-knit family. God first, family second, work and school third. That’s what Tyrann is doing now, and he’s on an avenue to success, making good grades and putting his life in order.”

A Mathieu family lawyer wrote SI, asking the magazine to leave him alone.

Demand is made that you cease and desist from any attempts at making contact with Mr. Mathieu or any member of his family.

There also are allegations that Sports Illustrated tried to bribe a promoter to get damaging material about Mathieu. Knowing SI, I have to say that notion is ridiculous.

Here’s Sports Illustrated’s response:

Sports Illustrated stands behind the reporting and the facts of the story. These absurd allegations are completely fabricated and with obvious motive.

Thamel did a podcast with SI’s Richard Deitsch. Thamel said that even though Mathieu isn’t playing, he still is “the most interesting player in college football.”

“People are fascinated by Tyrann Mathieu,” Thamel said.

Thamel didn’t discuss the allegations by Mathieu in the podcast. He said he and Evans covered the story through interviews and by using their sources at LSU.

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Meanwhile, in other legal news involving the magazine, Nelson won’t get his day in court against SI. From the San Marino Tribune:

A judge today tossed a defamation lawsuit brought by former UCLA basketball player Reeves Nelson against Time Inc., the parent company of Sports Illustrated, and a reporter concerning an article critical of the player and the Bruin program.

Los Angeles Superior Court Judge Mary Ann Murphy agreed with attorneys for the media conglomerate and reporter George Dohrmann that the complaint concerning the Sports Illustrated story “Not the UCLA Way” infringed on their clients’ right to free speech. She also found that Dohrmann had numerous sources to back up the facts in his article.

“This man spent a lot of time and talked to a lot of people,” Murphy said.

Nelson’s attorney, Olaf Muller, declined to comment outside the courtroom. He argued during the hearing that Murphy was incorrect in her finding that Nelson, although a college athlete at the time, was nonetheless a limited public figure who had to demonstrate that Sports Illustrated and Dohrmann acted with malice toward him.

Muller said Nelson was an amateur who did not even have a publicist.

Defense attorney Daniel Petrocelli also declined to comment.

 

 

 

 

 

 

 

 

 

 

On the cover GQ: Lin-Sanity still lives on for now

GQ has jumped on the Jeremy Lin train. He is on the cover of the November issue.

There’s hardly any guarantee that Lin, now with Houston, will continue to be the sensation that he was last year. So why wait? Let’s slap him on the cover while he still has some steam.

For now, everyone still wants a piece of Lin. I loved the headline that ran on Boston.com: “Harvard’s Lin covers GQ.”

Yes, Harvard. Isn’t that everyone’s first association when they think of Lin? I suppose that’s the case in Boston.

Even Lin questions how long this will last.

“People are always saying, ‘He’s only started twenty-five games, there’s so many uncertainties.’ And I agree. I totally agree. I don’t know how my next season’s going to turn out. The things that I struggled with before last year, I’m going to struggle with next year — there’s that learning process. . . . I’m not like the next Michael Jordan, but I’m also not what everyone saw me as before I started playing in the NBA, either.”

 

 

 

Q/A with producer: NFL Network documentary examines complicated life of Steve McNair

You’re missing out if you’re not watching the A Football Life series on NFL Network. These documentaries, which air every Wednesday night this fall, are among the best ever produced by NFL Films, and you know that’s saying something.

The next A Football Life focuses on the complicated life of Steve McNair (Wednesday, 8 p.m. ET). The former Tennessee Titans quarterback was a valiant warrior on the field, and was considered a role model off the field.

Yet the tragic end of his life–murdered by his mistress–muddied the portrait of a man who died too young.

Here’s a link to the trailer.

NFL Films producer Chip Swain does a nice job of showing the strong ties McNair had with his family and friends and their emotions about his shocking death. You see it all through the eyes of his mother, brothers, and former teammates. At the end, there’s even a passage with his children, who requested to be included after the initial production was nearly complete.

The film left me with a feeling of “Yeah, but…” As in, yeah, McNair had many wonderful attributes, but….

I had a chance to talk with Swain yesterday. Here’s my Q/A.

What was your approach to this documentary?

When you’re given an assignment for A Football Life, they say you’re doing a story on Steve McNair, go. You have to figure out his story, how were going to handle his death, who can we get to talk about him. We decided early on this show wasn’t going to be on the details of his death. Ultimately, we found the impact of his life and death and how it affected people was more interesting.

Why did you go in that direction?

Dateline did an hour about the murder and the relationship McNair had with the woman. To try to get where he was psychologically (at the time of his death) would be pure speculation. Nobody knew the truth. That wasn’t what this show was going to be about.

We were going to try to define his impact as a football player. After all, we are NFL Films. We knew (the murder) would have to be put out there, but it wasn’t going to be the basis for the show.

Part of it was we wanted the cooperation of his family, the blessing of his wife, and the people who were closest to him, to help tell the story. If we were going to go at it from a scandalous way, I don’t know if those people would have come on board with that.

How do you expect people will react to the film?

When you look at Steve, he had a model NFL career, and yet the way he died was not consistent with who everyone thought he was.

In the back half of the story, you see people reacting to the news (his death) almost in real time. The way it unfolds in the show, they’re almost processing the thoughts the same way the viewer is processing them. ‘This is not right; this isn’t consistent with the guy we knew.’

One of his friends said, ‘The substance of a man is so important.’ But Steve’s substance didn’t mesh with how he passed away. Exploring that as best we could was an interesting challenge for us.

We’re not trying to pass any judgement, one way or another. We want viewers to take out of it what they want.

McNair’s mother and brothers appeared on the show. However, his wife, Mechelle didn’t.

We contacted her early on, but didn’t hear from her. Eventually, I sat down with her for an hour in mid-August. I told her what we were doing and how it came from a place of respect. She listened, but let me know she wouldn’t do an interview.

How did it come about that McNair’s children appeared in the film?

Just before the film was completed, I sent (Mechelle) a copy. I wanted her to know what was in it. She watched it with her kids. She called us and said, ‘They want to be in the film.’ I said, ‘We can make that happen.’

Mechelle was there when we did the interviews. I asked her, ‘Are you OK with them being interviewed?’ She said she was very appreciative. It meant a lot to me to get her blessing.

 

 

 

 

Brooklyn Nets star in new behind-the-scenes series on NBA TV

If I was a player, coach, owner or GM, I’m not sure I’d want my team to be part of an all-access show. I’d find it too intrusive.

Fortunately, there are plenty of teams who do want to participate, especially those that need publicity. Next up: The new Brooklyn Nets.

They star in NBA TV’s new edition of The Association. It premieres tonight at 10 p.m. ET.

Here’s the trailer.

Brooklyn could use all the hype it can get as the team settles into its new home. And it’ll be about Brooklyn as much as the team. The first episode includes Brooklyn native, actress Rosie Perez, taking Joe Johnson around the borough.

Perez said:

“I just loved how people were so real with him. Even myself. I said, ‘My goodness, you talk slow as hell.’ He said, ‘Yeah, you just say whatever comes to your mind.’ And I go, ‘Welcome to Brooklyn…get used to it!'”

Last week, Nets GM Billy King and center Brook Lopez addressed the show during a teleconference. Here are some of the excerpts.

King on the opportunity to participate in the show: “It’s a great opportunity for the city and organization as we move into Brooklyn. It will be a great chance for our players and organization to really display what it takes to try and build a winner. To me, it will be a great time for the organization as well as the people of Brooklyn to be able to unveil Brooklyn to the world.”

King on whether he had any concerns about the access: “There really wasn’t any concerns on my part. If this was a young team, I probably would not have wanted to do that. I’m not worried about anything where our players or organization will come out looking bad.”

King on whether he discussed the show with the players: “I didn’t really talk to the players when we first discussed it. The NBA has done a great job of producing the show so the players all get to see it. In regards to the publicity, it’s gone above and beyond what any of us thought. It’s been a great launch.”

King on whether or not there were restrictions placed on the camera and crews: “No. They’ll be in the locker rooms. They get to travel with us. They’ve sort of blended in. The cameras have not distracted them one bit.”

Lopez on participating and having cameras around: “I’ve never really been a part of something quite like this before. It’s a bit of a change….they [production crew] handle themselves very well.”

Lopez on his perception of the change in energy and the mood of the team since relocating to Brooklyn:  “It’s only mere miles but the mentality is completely different.  We are in the city now and have to deal with a lot more media, but the people in Brooklyn have been so welcoming.  The city has a huge sports fan base and is excited to have us.  It has really been noticeable in practice, just the level of competition every day.  I am getting beat up daily by guys like Reggie [Evans] and Andray [Blatche].

 

 

 

 

Will Jay Mariotti ever land another big-time gig? Says he still loves sportswriting

Jay Mariotti is back–sort of.

The former Chicago Sun-Times columnist wrote his third column this morning for ChicagoSide. The headline read: “Mariotti: Why I Still Love Sportswriting.”

He writes:

Why continue to embrace a craft that literally almost killed me, a profession currently diluted by so many unskilled bloggers and corporate suckups that it has lost much of its soul?

My answer remains the same as it has for three decades: Because I still love sports, and because I still love to write. Sports + writing = sportswriter.

His love letter continues:

After all the madness, all the liars and loons, why would I want to continue writing about sports? Wouldn’t I rather be a factory worker in China? An elephant sperm collector? Not a chance.

There’s no better place on the literary landscape that regularly strikes every nerve on the emotional spectrum, where the best commentators can profile a wonderful moment as easily as they rage over the latest scandal, where the essence of it all—you’re-wrong-and-I’m-right debate—remains a vital American exercise that turns ESPN rabble-rousers Skip Bayless and Stephen A. Smith into polarizing national figures.

And more love:

The ongoing dramas of organized competition reflect life in its rawest form—meaning nothing, really, to the ultimate condition of the world yet evoking mass reaction that keeps emotional juices flowing like no other genre. What would you want me to write about, Obama and Romney? My subjective objectivity would be shot down as biased by rotten political media types with agendas. Music? Yeah, I want to try explaining the Katy Perry phenomenon. Business? Only if fortified by a steady stream of Zoloft. Hollywood? Phonies everywhere.

There’s a reason, through history, why so many acclaimed writers have chosen sports or dabbled in it. Simply, it offers the meatiest subject matter with some of the highest readership.

Clearly, Mariotti wants back in. ChicagoSide, headed by Jonathan Eig, whose work includes excellent books on Lou Gehrig and Jackie Robinson, is giving him the platform for now.

While ChicagoSide does a nice job as a new site that offers a menu of diverse stories, Mariotti, who lives in Los Angeles, wants a bigger stage. And make no mistake: He is available.

Is he is reaching out to some outlets here?:

For every punk hack trying to increase hit totals by ripping an ESPN sportscaster, there thankfully are places such as The New York Times, USA Today and ESPN.com that have moved into the digital era by doing sports journalism the right way.

Later, he writes:

Someone asked if I prefer to have my old jobs back. Nope. I want my new job—multimedia in nature, commenting at large, dictated by the most important stories instead of each day’s news.

Finally, Mariotti concludes:

I hope Mr. Eig now understands why sports writing is a lifelong passion for me, assuming my life lasts much longer. Why do I like it? Because I’m pretty good at it, when others are not. And because I still know why sports matter, when others do not.

Mariotti writes in the piece, “I’ve merrily taken two years off in L.A. to recharge for the next 25.”

Merrily? I hope that’s the case, for Mariotti’s sake. But people who know him suspect two years on the sidelines has been very difficult. Jay doesn’t just chill.

From what I’ve heard, Mariotti wants to work again. Make that: Needs to work again.

But will anyone hire him? He still has that domestic violence incident with a former girlfriend that derailed his career. It hangs out there, regardless of what Mariotti claims really happened. He wrote an e-book, The System: A Manual on Surviving Liars, Loons, Law, Life, which is available on Amazon.

It’s been two years. Why isn’t he back to work on a full-time gig? Is it because of his own choice, or because nobody has called? Or nobody has called with the right offer?

Say what you will about him, Mariotti is a gifted writer and a polarizing figure who can command the room. But will a large entity give him another chance?

Mariotti is awaiting your call.

 

 

 

 

New Golf Channel show: Ultimate buddy trip in tribute to the ‘Dead Guy’

I like the potential for this show. Sometimes, it is good to be reminded about the best part of golf: Spending time with your friends.

From Vic Mast:

“It was a living metaphor for where we were in our lives. It was traveling fifty-five-hundred miles to where the road ends … to a place where you can play golf in the endless light at midnight of the longest day. So, we had to do it.”

From the Golf Channel:

With his ashes in tow, three Chicago golfing buddies take a journey of self-discovery to the Arctic Circle to play one last round of golf in honor of their deceased friend in a new, six-part Golf Channel series titled Our Longest Drive, premiering Tuesday, Oct. 16 at 10:30 p.m. ET.

Filmed along a journey of more than 5,500 miles in an RV – traversing seven U.S. states, two Canadian provinces and two Canadian territories – Our Longest Drive follows Vic, Dan, Jim and Mike (whose ashes are along for the ride in a cherry wood box) on an adventure of a lifetime. All past retirement age, each with health issues and no previous experience traveling in an RV, it becomes apparent that these men are not ideally suited for the trek ahead. In fact, not 45 minutes into their trip, Vic needs a bathroom break and refuses to use the RV’s toilet. Nonetheless, each man shares a love of golf and for each other, and embraces a common goal to honor Mike with this journey.

Vic Zast is the ringleader of their small group, who has played golf together for more than 20 years at Westmoreland Country Club in Wilmette, Ill. Vic is an entrepreneur who is accustomed to fancy living and it’s no secret that he loves the attention – he spikes his hair with mousse and downs a tray full of heart medications with a beer chaser. He calls golf an “intoxication” and pitched the trip to his friends so they could honor Mike and play golf with him one more time. “It was much more than just a trip or an adventure. It was a way for us to connect with the game we love and with each other,” Vic said.

Jim and Dan thought Vic had a screw loose. “The guy can’t change a light bulb, and yet he wants to drive fifty-five-hundred miles to the Arctic Circle,” Dan said.

Dan Johnson is the worry-wart who obsesses over every detail, especially safety. When the group reaches the Arctic Circle and decides to have a cookout, Dan inexplicably worries about starting a forest fire in the treeless, barren tundra surrounding them. From the very start, his preoccupation is a fear of everything.

Jim Thompson is the introvert. An ex-ad man and diplomat to the core, Jim initially questions Vic about the purpose of the trip but, ultimately, discovers that purpose takes on many forms. He faces his own personal challenges along the way and, with the help of his friends, comes to grips with one of his biggest fears. “It’s not exactly your all-adventure team going to the Arctic Circle, but there we were anyway,” said Jim.

Viewers also learn about Mike Allen – the “dead guy” as they call him – as friends and relatives share remembrances about the way Mike lived his life and how he failed to cope with divorce, depression and diabetes. According to Vic, all Mike had left before he died were his friends and Saturday morning golf. The wooden box that contains his ashes – which is seen in nearly every scene – seems to become another character in the series.

Q/A with Andrea Kremer: Why NFL Network hired her to cover league’s most controversial issue: player safety

The biggest threat to the future of the NFL is the repercussions of increasingly bigger players banging into each other at increasingly higher speeds.

Not to be a doom and gloomer, but if something truly catastrophic happens during a game, it will cause the country to re-examine this thing called football.

So it’s big news that the league-owned NFL Network just hired Andrea Kremer to cover the one issue that threatens the entire sport.

Sunday, Kremer made her debut on the network as the new “health and safety” correspondent. She did a story (here’s the link) on Oakland receiver Darrius Heywood-Bey, who recently had to be carted off the field after a concussion. Heywood-Bay talked openly about what happened, and Kremer’s interview with a doctor at Cleveland Clinic showed with graphics what happened to Bey’s brain. Sobering stuff, to be sure.

Kremer is an important hire for the league and the network. It begs many questions about the motives and how much she will be allowed to do.

A long-time reporter for HBO’s Real Sports with Bryant Gumbel, Kremer is one of the best in the business as an investigative journalist. Given the subject, her reports on “health and safety” could make things uncomfortable for the NFL and football, in general. She said her domain will span the entire spectrum, including youth programs.

Kremer also is anxious to learn some of the answers. Several times she used the phrase, “cautiously optimistic” about her work with NFL Network during an interview with her last week.

How did it come about?

The NFL Network decided they wanted to launch this unit covering health and safety issues. When I first heard about it, my skepticism oozes out from every fiber of my being. What? Why?

I talked to Mark Quenzel, (senior VP of programming and production). He says to me, ‘Look, we feel we need to do more substantive stories. And the key issue is health and safety.’

They are hiring my credibility, my reputation. I didn’t build that–put it in parentheses over 30 years–to have it reduced to propaganda. That’s not the way it is going to be.

My role isn’t to take anyone down. My role is to present the issues out there. We are not bereft of ideas.

What were behind your initial reservations?

You don’t want to be a mouthpiece for the NFL. There are a lot of issues that exist. I view this as trying to enlighten the audience about these issues in a deeper way. It’s that simple. There is a lot of stuff out there about concussions. What can we show differently about it? There is a lot of concern and misinformation about concussions.

This is like a managing editor position. My job is to generate content. We walked into a brain-storming meeting with 12 very smart people in the room. I have this huge file in my hand. I go, ‘You guys have been thinking about this for about 10 days. I’ve been thinking about this for about 20 years.’

When you talked to Quenzel, what did you say to him? What kind of assurances did you get?

There are never assurances for anything. There’s always good faith, but it’s not as if I had anything written in my contract. I know what I’m comfortable with and not comfortable with. It’s a fluid situation. We’re working on a case-by-case basis. I go back to what I said: ‘I didn’t spend my entire career building up my credentials to have it tossed out here.’

The best way to put it is that I’m cautiously optimistic. I have no reason to not think I won’t be able to bring a different level of programming and ideas to the network.

What kind of statement is NFL Network making by hiring you?

I give them a lot of credit. I know there are people there who said, ‘Do you understand what you’re doing by hiring her? Do you understand what you’re getting yourself into?’ That was respectfully, not negatively. They said, ‘Yes, we do. If we’re going to be credible, taken seriously, this is what we need to do.’

I sense the network is fully aware that this is a huge issue. They have not fully dealt with it. They need to deal with it from a journalism perspective, and they will. But it’s definitely a learning curve for them.

Former players have filed lawsuits against the NFL. Will you be able to report on stories on an NFL-owned network when the league is a defendant?

I haven’t been told (she can’t). Dealing with the lawsuit would be no different than how the NFL Network–or quote-unquote–TV partners with the league dealt with the CBA, handled the refs, or other issues. You had plenty of people at the NFL Network pining about how poorly the refs were. The commentators have been very honest with their assessment.

That’s part of what’s going on. If there’s a former player we wanted to profile who had a number of significant issues, in my mind, as long as we go to somebody at the league or with the players association, if we can find that person to tell their side of the story, then we’ve presented both sides. Our job is to provide the audience with enough information to reach their own conclusion.

Are you concerned that people will view your reports through the prism of the NFL Network? As a result, people might not feel you are totally objective.

I learned through the Twitter universe there’s nothing I can do to mold people’s opinion if they have some agenda.

I can say this: Not only have I been given any indication of censorship, I’m sure not being given any special treatment. I’m not going to get people just because I work for the NFL Network. I’ve been trying to work on a story, and I’ve put in requests and I’ve been rebuffed.

I know how I’m going to approach my job. I know my comfort level; I know what my obligations are, and that’s what I’m going to adhere to.

You’re a top reporter. If you found a story that blew the doors off this issue, are you confident you would be able to run it on NFL Network?

It’s so hypothetical. Here’s all I can say: I’m going to try.  I am cautiously optimistic that we’ll be able to do something that’s impactful.